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Monday, May 28, 2012

News: Catch Up's second and final album to be reissued!


Good news here as this is one of our Priority 2's! We featured this album last summer, so you can read my thoughts of the musical contents there.

This reissue is coming out in Japan via mini-LP, so it is likely to be expensive. The label is Production Dessinee, which I'm not familiar with, but they apparently have quite a few other releases - all outside our scope (or I think that's the case anyway).

Thanks to Laser Ken for the tip!

Sunday, May 27, 2012

Schalk Rock, Germany

Schalk Rock - s/t. 1981 private.

And here's Part 5 and the conclusion of our recent German series. Whereas you may expect to see the cliche "last but not least" phrase, I'm afraid to say this is indeed last.

I had this one on a curiosity list for many years, with not even a hint in finding references to it.  Leave it to the AC to turn this one up on our behalf. He said that this would be a good choice to put up on the CDRWL to serve as a warning. Uh-oh, that's not a good sign. LOL. Of course, the AC was right as usual. It's not terrible or anything, but certainly out of scope for what we're doing here. Schalk Rock is not to be blamed, but rather those that seek to profit from it with dubious descriptions. Though I'm loathe to accuse anyone of ill intent, I'm afraid in this case, there's no other explanation.

Described once in a rare catalog (I won't name names to protect the guilty) as "Early Guru Guru with sax", it comes as no surprise that the entry was mostly hype. Schalk Rock is primarily a straight ahead rock group that employs both guitar, sax and harmonica. Some of the guitar leads feature some cool wah-wah and are definitely the highlights of the album, few as they are. Otherwise, a fairly ordinary German language rock release.

Priority: none

Wednesday, May 23, 2012

Blister Chap, Germany



Blister Chap - Goin' In. 1977 Help (Brutkasten).
Blister Chap - Sweet Lilian. 1980 Brutkasten.

Here's part 4 of our series. "Sweet Lilian" is the 3rd and final of the German albums sent in by MM. I haven't heard the debut, but I've been told it's the very first recording for the famous Brutkasten label, though apparently they went by Help originally.

With a moniker of Blister Chap, and a cover that features the male-fantasy-overload of a nice pair of gams* in fishnets holding a half-lit cigarette, one shouldn't expect much more than a good time rock-n-roller right? Well, no, not exactly. Blister Chap surprises everyone here with a sophisticated blend of American styled hard rock, AOR and 70s progressive rock. Lots of clavinet as well for gear heads. Even more complex than a similar band - say Canada's Saga - which is bizarre on first sight. Released on the do-it-yourselfer Brutkasten label - and about par for the course for the imprint. You never know what you're going to get, and this one is quite good honestly. Not Krautrock mind you, defying their heritage, but if this were from the UK, then collectors would have more to crow about I think. File next to the Desiree "Make it With a Smile" album.

Priority: 3

 * - It's long been a goal of mine to put the phrase "nice pair of gams" into the CDRWL. I can scratch that one off the bucket list...

Tuesday, May 22, 2012

Zarathustra, Germany


Zarathustra - Also Spielt. 1982 private / TSM.

Here's Part 3 of our series. This one comes courtesy of our friend Tristan Stefan at Prog Not Frog, where you can also obtain a copy of the album for download.

Early on in my collecting career (say, 1985?), I was informed that the early 80s version of Zarathustra was a waste of time, and that the 1971 album by an unrelated band was the only Zarathustra worth seeking out. So when Second Battle reissued the Metronome 1971 album (in 1989), I was all over it, buying the LP re-release the minute it came out. I was happy with the purchase, as it was a decent representative of the Hammond organ rich German culture of the time. And I still own that LP, which I hope to review eventually on UMR.

23 years later, I finally heard the "inferior" 1982 band. Gotta an inside tip for all you out there: I like this one better. SORRY!

This Zarathustra absolutely nails the 80s neo-progressive meets 60s psychedelic sound. If you like the music of similar German bands like Neuschwanstein, Ivory and Sirius with the psychedelic acid guitar of Iskander (another underrated 80s group), then by all means seek this puppy out. Perhaps only the M.L. Bongers Project approaches this mix of Hawkwind meets Genesis. A really great find. Don't miss your chance to hear it, and hopefully a CD reissue label will take a chance on this one! It's a perfect fit for Sireena or Garden of Delights.

Oddly enough, the dramatic guttural English vocalist (well... that's how it sounds!) reminds me of Rob Halford (Judas Priest) circa "Sad Wings of Destiny". And the distorted vocal opening recalls first album Metal Church. Bizarre references I realize.

Tristan Stefan says about the music (he offers plenty of philosophical insights as well):"What we have here is a typical late-seventies / early eighties kraut hard rock private pressing, along the lines of Last Exit, Burning Candle, etc., or the previous Forest album. Some tracks are quite enjoyably hard with driving riffs, there is a lot of variety too, but hampering somewhat is the sound, which seems almost as if it was recorded on a two track mixer."

Priority: 2

Sunday, May 20, 2012

Romantic Warrior, Germany


Romantic Warrior - s/t. 1985 Frog

Here's Pt. 2 of our series. This one also courtesy of MM.

Romantic Warrior are no doubt named after the famous Return to Forever album, though this German band doesn't quite possess the vibrancy of Corea's classic bunch. There's the slick-as-a-butter-dish production, with slap bass, happy rhythm guitar and digital drums. However all is not a loss, as the lead guitar work has a slight bite to it, and there's even a little sitar to break up the monotony. If the term "1985 jazz fusion" doesn't have you fleeing for the exits, then definitely give this one a spin. Otherwise run. Run faraway.

Romantic Warrior went on to release two other albums. It appears their 1986 album "Himalya" is also without a CD issue. And 1988's "Planet" was issued as a CD originally.

Priority: none

Saturday, May 19, 2012

Audite, Germany


Audite - s/t. 1983 private.

Today we start a new series of obscure early 80s German progressive and fusion albums. We have 5 to report on that have arrived via various sources recently. Today's post is courtesy of Midwest Mike and is probably the rarest and most sought after of the bunch.

Audite is a vocal heavy German language album, with a clear affinity for the classic 70s progressive rock sound. Sophisticated arrangements are apparent, and the electric guitar work in particular is exemplary. Synthesizers and even a little flute propel Audite to interesting status. No getting away from the canned early 80s production though. I was most reminded of Anabis' "Wer Will?" album though Anyone's Daughter "Piktors Verwandlungen" also sprang to mind. A good one for aficionados of the 80s German symphonic sound, though a bit of a slog for those looking for more dynamic instrumental input.

Priority: none

Friday, May 18, 2012

Roberto Picchi, Italy


Roberto Picchi - Raggi di Sole. 1977 Fonit-Cetra.

Midwest Mike just sent in a bunch of goodies to consider. Before I get to that stack, here is a surprising album that fell through the cracks.

Picchi's sole work is technically listed as a singer-songwriter album, but with most of the tracks exceeding 7 minutes, you can bet that instrumental progressive rock music is also being employed. Acoustic guitar, violin, piano, sax, flute and hand percussion lead the instrumental parade. Comparisons to the best of Claudio Rocchi, Mauro Pagani and Emilio Locurcio wouldn't be out of place. A late era Fonit-Cetra release, and comes at the tail end of the original Italian progressive rock movement. One of the very few Italian progressive rock albums still not on CD. Features a wonderful gatefold cover. A natural choice for BTF.

Priority: 3

Wednesday, May 16, 2012

Cosmic Circus Music, Germany *** REISSUED ***


Cosmic Circus Music - Wiesbaden 1972. private cassette.

One of our more popular posts last year was a discussion around the Garden of Delights release schedule. One of the albums they have listed is "COSMIC CIRCUS: Wiesbaden 1972" (and that's where I pulled this title from). I immediately presumed it was an archival release. One of our more knowledgeable readers, The Lolly Pope, quickly corrected me and stated: "Cosmic Circus were Ulrich Masshöfer dr, Bernd Diesner g, Karl-Heinz Keffer b,(formerly known as Catharsis, unrecorded) and at that evening in 1972, when these recordings were made in Wartburg-Wiesbaden, Xhol-man Tim Belbe on sax & flute. They never released an LP, but you could order a cassette tape when you reacted to a tiny ad in Sounds magazine. (Which only very few people did)There's only one track, the 45 minutes of "Sternenmaskerade", and it's a wild, weird and wonderful jam, highly recommended to those who love their Kraut pure. Starts like Between, ends like Xhol, but all a bit rougher, fuzzier and hardly any song structure or vocals. In fact it was considered as unsaleable by record companies. I got it, and I would say that it's THE last un(re)released pearl of kraut history."

This has now been taken one step further and the album is posted on this excellent blog. You'll see that they've documented quite a bit of information around this release.

The music is fantastic - a blend of cosmic Krautrock that recalls Agitation Free, The Cosmic Jokers, Dom and Yatha Sidhra. The recording is a bit rough, so it will be interesting to see if GoD has access to the original source or not. In either case, I'll be a first-day buyer of the CD if and when it comes out.

This is quite an amazing find. I encourage all of you to check it out. Thanks again goes to The Lolly Pope and the Roots and Traces: Spurensicherung blog!

*** Reissued by Garden of Delights 2013 ***
Priority: 2

Tuesday, May 15, 2012

News: World in Sound releases archival Cosmic Dealer album


Here's a surprise announcement. The German label World in Sound can always be counted on to turn up some cool rarities and archival releases, and this certainly looks intriguing! I'll be the first to admit that the 1971 Cosmic Dealer album left me wanting, but I'm most curious how this one will turn out.

World in Sound states: "This is the second previously unreleased album by the Dutch psychedelic hard rock band Cosmic Dealer. Their first album "Crystallization" from 1971 is an outstanding and rare masterpiece for all psych collectors and for sure one of the best Euro-Underground rock albums of the 70s. In 1971 the band was shortly disband but found together in 1973 with a few line-up changes but kept the same musical intention: heavy psychedelic, progressive and guitar driven hard rock, with catchy song writing, a few US-Westcoast flashes but also extended instrumental jam excursions. This album contains 6 songs which were recorded in 1973, plus 3 demos from 1971 and as bonustracks there are 4 live cuts also from 1971 including the title track from their debut Crystallization. The CD with a total running time of 68 mins contains a 12 p. booklet with lots of photos and linernotes and is carefully re-mastered to catch the real spirit of the beautiful and intense music. Definitely a must-have piece for all 60s psych freaks!"

News: Wounded Bird releases second Eleventh House album!


Following on the announcement of Lighthouse, I think most of you will be even more excited that the second Eleventh House album is finally coming out on CD. This album has alluded the digital treatment so far, whereas the first album has been released at least twice.

Review added to UMR

Label advertises: "Larry Coryell is best known as one of the original jazz-fusion guitarists of the 1970s. He is still making excellent albums to this day. He has issued solo albums, along with collaborations with John McLaughlin and other fusion-jazz luminaries. He also headed up the highly praised fusion group The Eleventh House. This group featured drummer Alphonse Mouzon and keyboardist Mike Mandel. One of the most requested fusion albums for CD reissue has been Level One. This album is now making its worldwide CD debut!" 

Again we call on Dusty Groove to give their imitable review: "A really heavily-jamming album from Larry Coryell's Eleventh House group – certainly to be expected, given that the lineup includes John Lee on bass, Mike Mandel on keyboards, and Alphonse Mouzon on drums! The sound has plenty of rock-fusion touches – and Coryell's guitar is searing, but a bit more mainstream than before – certainly not slick, but just jamming like a range of other similar players from the same time. Titles include "Nyctaphobia", "That's The Joint", "Struttin With Sunshine", "The Other Side", and "Some Greasy Stuff"."

News: Wounded Bird releases first Lighthouse album


And today we have three more interesting CD announcements that warrant mention.

Wounded Bird is always a label worth watching. Even though their releases tend to be old school early 90's styled bare bones jewel cases (like One Way from the days of yore), they are at least legit and usually straight from the master tapes.

About two years ago we announced that the first 3 Lighthouse albums were coming out on a label called Bandiera. I never saw anything further on that. Not sure if they didn't get issued, or if the label wasn't legit. No matter now, as this release is for certain worth tracking down.

The label says: "Lighthouse was a rock group from Toronto, Canada that issued a number of fine albums in the late 1960s and early 1970s. The group was headed up by drummer Skip Prokop. Their music was in the style of the horn bands of that era. Their most popular album was their self-titled very first album, Lighthouse, which was issued on RCA Records in 1969. Our CD reissue features two bonus tracks." 

Dusty Groove adds: "The first record by Lighthouse – a strange band that's always incredibly hard to peg, but who have a sound that we always end up liking a lot! The group mix together folk rock styles with a touch of soul and funk – going for some nice grooves that build up from lots of drum work and airy vocal production, touched here by lots of horns, in a style that's a bit like Blood Sweat & Tears, but a lot lot cooler! This first album is something of a landmark in the jazz/rock vein – and titles include "Never Say Goodbye", "Follow The Stars", "Mountain Man", "Whatever Forever", "Marsha, Marsha", and a great cover of "Eight Miles High". This CD version from Wounded Bird has 2 bonus tracks: "If There Was A Time (Single Version)" and "Eight Miles High (Single Version)".

Monday, May 14, 2012

News: Rocket to reissue Farout "Further Out"


The always interesting Rocket Records of Finland has a new reissue that is relevant to CDRWL fans. Rocket is a Finnish-only specialist label, and progressive rock is but one of many styles they reissue. They probably reissue 20 to 25 albums a year, in a variety of different indigenous musical forms. So it's always fun when they cover off on some of the classic Finnish progressive rock scene. I keep hoping they'll take on Nimbus and Sepi Kuu one day!

I haven't heard this Farout album, though it's on the same label (Kompass) as Scapa Flow, that  Rocket incidentally reissued a couple of years back.

There's one review on RYM from Tiliar where he states: "It's a Finnish Jazz-Rock band but their sound is a bit different from the other Finnish Jazz-Rock bands which we maybe know them. this album is completely instrumental and full of Moog and Hammond playing with a hint of progressive nuances. although I'm not the great fan of Jazz-Rock but it's really great and pleasant."

Sounds good to me!

News: Lion releases archival Rotomagus from France


This weekend I did a quick scan of our favorite labels and came up with a couple of news items.

This one caught my eye from Lion Productions, a label who is quickly becoming a favorite (not to mention that they will release 2 Laurence Vanay albums and Probe 10 within the next couple of years!).

Rotomagus looks to be a bit out of scope, but anytime I see the words "Chico Magnetic Band", I must take a closer look. Even if in this case the reference is peripheral.

CD is available as of last week. LP is due in June.

Label says: "ROTOMAGUS "The Sky Turns Red: Complete Anthology" There’s no way to know why CBS Records unceremoniously dumped Rotomagus and the Chico Magnetic Band after one single apiece; suffice to say that decision was a poor one, as both bands have (quite rightly) developed a cult-like following over the years. All in all, the artistic trajectory of Rotomagus was peculiar: they started out as a harmony pop-psych band, shifted through a brief Jimi Hendrix-ian interlude (‘The Sky Turns Red’), straight into a Vanilla Fudge groove; they then went down in flames as a hair-raising monolithic heavy rock power trio. On Julian Cope’s excellent Head Heritage web-site, the Seth Man raves about Rotomagus thus: "The first time I heard this track (‘Fighting Cock’), I did not freak out. I merely walked into a nearby closet and screamed my head off for a minute solid, beat the floor and ripped my t-shirt... then I cowered when it hit me: this thing came out in 1971? Before "Raw Power"?! I just lost my mind... The only thing that predates this monster in terms of being a full-on amassing of all things heavy are all the many key points on Sir Lord Baltimore’s "Kingdom Come" LP and THAT’S it, brother." French magazine Rock & Folk was succinct: "Rotomagus create an emotional music, violent, even aggressive." Violent. Aggressive. Intense. On this disc we bring you the entire output of Rotomagus, including an album-length demo from 1971, the band’s tumultuous, thunderous swansong, recorded as a super jam (live with no overdubs). Our Lion Productions and Martyrs of Pop edition of Rotomagus comes replete with a bi-lingual 32-page booklet, with the entirety of the Seth Man’s article on the band, plus the band’s history in both English and French, printed on FSC recycled, chlorine-free, 100% post-consumer fiber paper, manufactured using biogas energy. Hard to believe this is all pre-1971, as much of the demo is not just proto punk but proto hardcore—with enough fiery attitude to make you want to scream along. The vocals are wild, while the guitar riffs and grinds and approaches a Stooges via Motorhead apocalyptic grandeur. Amazing! 

CD Track List: the unreleased demo (39:41): 1. Laureline; 2. Little Green Man; 3. Fighting Cock; 4. The Sky Turns Red; 5. Runnin’ For Life; 6. I Dig Life; 7. Shout Now; 8. Hello the Binaries; 9. The Flufluting Flatmul. the singles: 10. Le Haut du Pavé (2:48) (Polydor 66 664-A); 11. Nevada (2:40) (Polydor 66 664-B); 12. Eros (2:20) (CBS FR-4997-A); 13. Madame Wanda (3:26) (CBS FR-4997-B); 14. Fighting Cock (3:34) (Butterfly BS 007-A); 15. The Sky Turns Red (2:57) (Butterfly BS 007-B); 16. Laureline (2:22); 17. Porquoi les Hommes (2:29) 

CD edition catalogue number: LION 660 UPC: 778578066024 (CD) 2xLP edition catalogue number: LION LP-121 UPC: 778578312114 (2xLP)"

Friday, May 11, 2012

Jean-Pierre Graziani, France


Jean-Pierre Graziani - A Dumane. 1979 Disques Vendémiaire.

As mentioned a couple of days ago, I have quite a few new items for the CDRWL that I need to report on. So I'll put away the archives for awhile. This one comes courtesy of SF, one of the CDRWL's folk and electronic specialists.

Graziani sole work offers an interesting electronic oriented album with New Wave / Synth-Pop structure, piano, guitar, and male/female narration and semi-singing. Probably telling a story of some sort, but spoken all in French, it's mostly lost on me. References include Christian Boule, Hydravion, Kennlisch, La Saga de Ragnar Lodbrock, and the second album by Images. Great album cover art. Label is owned by Graziani, who managed to sign a few other artists that I'm completely unfamiliar with.

Priority: none

Wednesday, May 9, 2012

Renia, England


Renia - First Offenders. 1973 Transatlantic.

This one is a bit out scope but given the time, place, label and collectability, it at least deserves mention. Like the last few featured items, this is from the CDRWL archives (I hope to have some new discoveries for you all soon! Still working through some stacks of CDs and LPs).

In aggregate, Renia's sole output is a pretty dull UK early 70s rock album. There is some nice organ runs to keep it from being a total yawner, but ultimately this is the kind of album that make Fantasy's "Paint a Picture" seem like speed metal by comparison. Comparisons to Humble Pie wouldn't be out of place, minus the versatility of said group. Only track to put it in high gear is called 'Slow Down' ironically enough.

Priority: none

Tuesday, May 8, 2012

Hammer, USA


Hammer - s/t. 1970 San Francisco / Atlantic.

Another one from the archives. This one is pretty unremarkable save one fascinating track. Read on...

Like almost all major label US albums from 1970, San Francisco based Hammer is a completely hit and miss affair - mainly miss in this case. It's mostly blues and soul based good time rock n roll, with some heavy organ and guitar sprinkled throughout to keep it somewhat interesting. However, there are two gems here that must be heard. One is the fantastic 'Tuane', an obvious nod to fellow Bay Area stars Santana. The wordless vocals adding a unique flavor to the ripping guitar work and jazzy rhythms. But the real eye-opener has to be the closer 'Death to a King'. This composition's main melody and piano runs are almost exactly like Banco del Mutuo Succorso's 'Metamorfosi' from their 1972 debut! Could have Banco del Mutuo Succorso known of this obscure band known as Hammer? Naw, couldn't be... Right? Nooo.... ????????

Priority: none

Monday, May 7, 2012

Saluki, Norway


Saluki - s/t. 1977 Compendium.

Another one from the archives. This is an album Heavy Rock turned me onto years ago. He loves it, but I've just never been able to get into it much. I'm sure many of you will appreciate it though!

Saluki's sole output is a funky deep groove album from Norway with the requisite in-demand-DJ fat beats and loads of clavinet. Definitely a style the Americans were better at mastering, and this comes across (to me anyway) as a somewhat cheap imitation. Given the label pedigree (Vanessa, Hugh Hopper, Mirage, Blow Out) I'm guessing these were accomplished jazz musicians branching out into more commercial territory. Features a wonderful topless genie-out-of-a-bottle cover.

Priority: none

Sunday, May 6, 2012

Jean-Claude Gaupin, France


Jean-Claude Gaupin - Anatheme. 1984 private.

Here's another one from the archives. This was sent to me by Midwest Mike a few years ago. Now that we have more of a fusion base in our audience, I'll report on some of these to a larger audience.

Jean-Claude Gaupin's debut album is a fairly typical early 1980s era light, sunny and breezy funk fusion work. The great exception being the edgy guitar work from Xavier Piton, his one and only venture into recorded music (that I could find anyway). Other than that, it's the usual sax, Caribbean drums and warm / funky bass that push these harmless cruise ship style instrumental tunes along. Gaupin has at least two other albums, his last from 2006.

Priority: none

Saturday, May 5, 2012

Taurus, Switzerland


Taurus - Swiss Rock History Vol. 3. 1996 Blue Moon. Recordings from 1973.

I have lots of albums here to still report on, but due to some extreme time constraints in March and April, it will take me some time to get to them.

In the meantime let's get back to the archives - these are albums that are in the Original CDRWL, but I just haven't featured them separately yet. Most of these are of marginal interest (for me anyway), but given their rarity, I figure some of you will be interested in reading about them. We last left off with Fragua from this series, and we'll now pick back up with Taurus from Switzerland.

This is the 3rd and I believe last entry in the Swiss Rock History series which also includes albums by Lear (excellent proto progressive album and we've featured it already as a Priority want) and Exit (decent rock record and has already been reissued on CD). Taurus' sole work is clearly not ready for prime-time, and could best be described as raw demos. The songs themselves are early sketches of what was to be a full painting. Had they completed what was started here, Taurus' album would have most assuredly gone down as a masterpiece. They clearly had a lot of great ideas, along with some stellar vintage sounds (organ, guitar, etc...). So definitely worth releasing as an archival document for the curious. Perhaps the band could reunite and finish what they started?

Priority: none

Friday, May 4, 2012

Sky High, Canada


Sky High - s/t. 1979 Eagle Creek.

Here's an album that has been getting some buzz lately within the collector community, and the ebay prices have soared because of it. I received info from both The AC and Midwest Mike roughly at the same time, and both unequivocally panned it. Of course, the first two tracks are pure late 70's mirror ball disco numbers, certainly not the sounds one wants to hear when shelling out hundreds of $.

This copy comes courtesy of The AC (saving MM the trouble of having to painfully endure it one more time). After track 2, I found the music to be relatively pleasant, not too far removed from the French band Cortex. Though by no means does it exude the exoticism of their first couple of records.

The AC says: "Here we go again... Another one of those "Jekyll and Hyde" LPs that couldn't quite decide whether it wanted to aim for the charts or pursue something musically interesting. The first side is absolute dreck, a nauseous brew of cheese-tacular disco, whiter-than-white funk rock and trite AOR/pop tracks that will have you clawing your ears out. There's one sort of proggy AOR piece towards the end that's okay, but the rest is just unspeakably bad. Then we hit side two, and it's almost like an entirely different album. A frenetic instrumental fusion track leads things off, complete with some scorching lead guitar. Unfortunately, there's one more bit of pain to endure, in the form of a hilariously bad lounge-funk number, but after that they finally turn the corner for good. The remainder consists of a couple tracks of pleasant spacey fusion with female vocals, followed by another excellent instrumental jazz-rock workout. So, we end up with about an even split in the good-to-crap ratio here. The group were from Regina, Saskatchewan (where the albums was also recorded), but the label was based out of Vancouver. To be honest, this album is a very marginal entry for this list, but I think it's worth highlighting due to the fact that it's just recently emerged onto the collector scene and is already garnering some very high prices. Recommended only to obsessive genre completists (like myself), the rest should pass."

And there you have it. Yet another album that has become part of the collector hype machine. An unfortunate consequence to the hobby itself.

Priority: none

Thursday, May 3, 2012

Counterpoint, USA


Counterpoint - s/t. 1982 private.

And this is the final album to report on from my last visit with Jeff. For the purposes of this site, Counterpoint would have to be considered a lesser album, but that's due to its more overt commercial nature. I suspect Counterpoint, like many bands coming of age in the late 70s and early 80s, were progressive rock enthusiasts who understood that the only way to any kind of success would require a pointed attempt at FM radio rock hits. All the usual suspects can be heard in Counterpoint's music such as Kansas, Styx, Saga (Canada), Journey, early 80's Santana, etc... There is some mighty fine organ, synth, and guitar work here, so not one to entirely overlook.

You can hear most of this album on their MySpace page.

And a full history is also provided on MySpace by the band.

There was quite a scene in Oklahoma during this period. In addition to Counterpoint, you had Cosmic Debris, Ojas, Astre and Totty to name but a few.

Priority: none