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The CD Reissue Wish List blog has been discontinued as of October 2015, as it had served its initial purpose.

Please click on the following links for:


CDRWL Priority 1

CDRWL Priority 2

New CDRWL items and/or new notes on items previously featured here.

CDRWL LPs for sale

Saturday, November 14, 2015

Announcement of new Record Store Webshop and remaining Housekeeping items

First off I want to share the great news. Long time friend (over 25 years) and fellow music collector Jeff Nintzel and myself will be starting a joint venture online. We both have way too many albums (though we're still buying too!), including many extras, and it's time to part with them. Many rare progressive, psychedelic, hard rock, jazz, and metal  LPs and CDs will be featured. Best part is we aren't going to gouge on the prices. We're not giving away anything either, but the prices will be fair. And we have "good goods" as my dad used to say. All carefully maintained like two fanatic collectors would tend to do.

Stay tuned to this blog for further announcements. I will send the link over and there will be an explanation of how it will work over there.

So a few things to talk about since I suddenly shut the blogs down a couple of weeks ago.

1. It turns out to have a been a great decision for me personally. I thought I might have some regrets, but I don't. Unplugging from the daily chatter was a much needed break for me.

2. A big Thank You to my most loyal readers who sent me kind and encouraging e-mails.

3. Many folks asked that I keep this blog alive just for the News. I won't be updating this blog much longer (though everything will stay up as promised). Instead, I'm going to maintain a CD Reissue Wishlist on Rateyourmusic. It will be like our main list (the Original CD Wish List) here. And I will have a section for News. I will send an update once that is up and running as well. I may or may not add commentary to the albums, but will keep the Priority system alive. The maintenance of that list should be much easier than what I was doing here.

4. There were about 11 items from The AC's last submission that I didn't get a chance to publish. I will do so now - and they will be the posts between here and when I signed off.  I have still yet to hear them, but since he put a tremendous amount of his own time into these, I must publish them as is. Many I'm still looking forward to hearing myself! I won't have extra commentary or a Priority set for it, but I will eventually hear them and you will see the Priority in my RYM list.

Wednesday, November 11, 2015

Minoru Muraoka & New Dimension Group, Japan

Minoru Muraoka & New Dimension Group - Lupus (Japan, 1974, Victor)

Shakuhachi master and band leader Muraoka recorded scores of records over the years, covering all kinds of ground, with a focus on integrating the traditional Japanese shakuchachi flute into modern western-style music. His most interesting period (from a rock/jazz listener's perspective) unsurprisingly coincided with the experimental New Rock boom in Japan circa the early/mid 70s. His most well-known works are from earlier on in this timeframe, when he released albums like "Osorezan" and "Bamboo", which have long been popular with the rare groove/DJ crowd. But after this he developed a darker, more experimental streak, releasing a string of albums with his New Dimension Group where he started to twist and mutate traditional Japanese music to his own ends, leading to fascinating efforts such as "Jigen" (1972) and "So" (1973). However, these were still probably too traditional to catch the ear of many prog/psych listeners. This all changed in 1974, when he unleashed "Lupus", a live concert hall recording (as many of his works were) that takes his earlier concepts and finally goes off the deep end with them. The eponymous side-long first track is an immense piece of hybrid far eastern psych/prog/jazz-rock which, aside from the hypnotically pulsing electric bass, amazingly consists of nothing but traditional Japanese instruments and drums, although you'd scarcely know it. Everything is put through the fuzz/wah blender, creating sounds and textures more reminiscent of electric organ and fuzzed out guitars. It starts out tranquilly, but then builds and builds in intensity, climaxing in a totally frenzied freakout conclusion that will leave your brain in a puddle-like state. Awe inspiring. The second side is unfortunately much more traditional, consisting of three shorter pieces, although the quality is still high. But that first side... Wow. Deserves to be much more well known.

I think it's fitting to end the CDRWL blog with an insanely rare Japanese album as submitted by The AC. I can assure you that I would not know any of these were it not for his continuous research!

Tuesday, November 10, 2015

Skeptical Eye, Canada

Skeptical Eye - The Devil's Playground (Canada, 1984, Puretone Records)

Bizarre homemade Christian prog/psych anachronism out of Belleville, Ontario. You know when a Christian-themed LP has track titles like "Tortured From Inside" that it's probably something beyond the ordinary, and that's certainly the case here. Psych guitar and organ, ineptly performed prog breaks, off key male and female vocals (including a children's choir section that seems to have been done by a group of random local school kids who couldn't sing at all) weird and disturbing sound effects, spacey Pink Floydian sections, and even a weepy ballad and terrible blues rock jam. Yet, it all flows together somehow as a cohesive concept work. I think. I don't really want to know, to be honest. A few keyboard tones aside, the whole thing sounds like it was recorded about a decade earlier. And as far as the amateurism level is concerned, I'll paraphrase myself from the Rhea review I did here a few years back: To put it in Canadian progressive terms, these guys make VIIth Temple sound like Rush in comparison. Very rare, but perhaps that's for the best? Completely demented.

Monday, November 9, 2015

Fractals, England

Fractals - Fractals (UK, 1986, Surface Records)

Obscure little instrumental jazz-rock/fusion offering from the lean years of the genre. The main hook here is that the rhythm section consists of Jerry Soffe and Frank Hockney, formerly of cult favorites Red. Like other releases of its ilk from the mid 80s, there is no attempt whatsoever to hide its all-digital "modernness" (ironically now much more dated than the earlier analog tones), but if you can get past that it's actually a solid album. Sedate jazzy pieces alternate with more driving, progressive-minded tunes, which keeps things interesting. Hard to track down, as it seems this was only distributed in their local Oxford area during the band's relatively brief existence,  but worth a look for hardcore genre fans.

Sunday, November 8, 2015

Early Times, Japan

Early Times - Second Album (Japan, 1976, Early Times Records)

Not to be confused with the contemporaneous Early Times String Band (a Japanese 70s folk-rock ensemble that has become slightly better known due to a couple of reissue/archival releases), this incredibly obscure album was the second effort of a local Sapporo based group. Their first is so rare that, while it must exist, has apparently never been glimpsed a single time by even the most hardcore Japanese collectors after all these years. All that aside, what we have here is a very interesting anachronism that sounds more like an underground Japanese take on early 70s British proto-progressive styles than anything else. Even the Monty Python-esque cover art seems to point in that direction. It kicks off with with an extremely cool horn rock-ish affair, featuring vintage organ, electric piano, funky percussion and psych guitar backed by a female chorus to great effect. This is followed by a lengthy proto-prog style guitar/organ led jam that slowly builds in intensity, with some great soloing. The rest of the first side then kind of puts on the breaks, with a couple of slow blues rock pieces that still have a very palpable early 70s UK feel to them. The second side starts with another gradually building instrumental jam, that eventually hits an awesome groove while the soloing breaks out overhead, before slowing down again into a more pensive mood. We then reach the real climax of the album, with the nearly 13 minute long final track. Building slowly once again (a hallmark of theirs, it seems), this starts out in a jazzy/bluesy horn rock mode, then builds in intensity as the soloing picks up and the vocals join in again, ending in a long crescendo of bluesy psych guitar soloing over the horn rock/proto-prog style jamming. Great stuff, and the whole album has a very loose, underground sound and vibe that is just flat out cool.

Saturday, November 7, 2015

Kosuke Ichihara & Love Live Life, Japan

Kosuke Ichihara & Love Live Life - Datsu Nippon Minyou - Now Sound '75 (Japan, 1975, Victor)

The common misconception of Kosuke Ichihara's group seems to be that Love Live Life were a regular, comprehensive band in the Japanese rock scene, a la Flower Travellin' Band and the like, but that's not really the case. Ichihara came from a jazz background, and even the seminal "Love Will Make A Better You" was really more along the lines of the typical "band leader and revolving cast of studio hired guns" scenario that for the most part dominated the output of Japan's New Rock explosion. So it should come as no surprise then that their trail afterwards becomes more diverse and obscure. Most well known in the west is obviously the quirky "Satsujin Jissho", but around the same time there were also entertainingly silly exploitation cash-ins like "Rock In Bacharach", "Rock In X'Mas" and other less notable studio sessions and collaborations. But perhaps the most interesting of this little known latter-day output is "Now Sound '75", an attempt to cross traditional Japanese "minyou" folk songs with the then-rising genre of jazz-rock fusion. This concept had already been done umpteen times by this point in other styles, some of which have been covered on this very blog (Toshio Tanioka, Dosojin, etc.). However, as the title indicates, the difference here is that the "sound"  was very "now", as in funky mid 70s instrumental fusion. The traditional themes are woven in smoothly to create atmosphere in a well-produced set of tunes that would have made a good soundtrack for a classic Japanese cop/detective show. Oddly enough, I'm also reminded a bit of the contemporaneous French fusion sound. Smooth and funky, but with enough atmosphere and instrumental acumen to hold your interest. Recommended to fusion fans, and I'd wager it would also go down a storm with the rare groove crowd. Unfortunately, one of their harder titles to find.

Friday, November 6, 2015

Rollsplytt, Germany

Rollsplytt - Flappergranny (Germany, 1982, Private)

All instrumental prog/fusion with a distinctly early 80s sound, but not in the way that you might expect. It's as if a 1982 British synth-pop band decided to take a break between albums and do a prog side project or something. The copious synths, sax/flute, as well as the guitar and bass lines just have that certain sound, as do the very "bouncy" (for lack of a better word) and straight forward rhythms that propel this lengthy (almost 50 minutes) and well-produced album along. There are some definite fusion touches (mostly of the Weather Report variety), but I'd label it more as "funky synth-driven instrumental prog" than full-fledged jazz-rock, if that makes any sense. It's quite consistent, and has some real period charm, which won me over in the end.

Thursday, November 5, 2015

Xebec, USA

Xebec - Studio & Live (USA, 1975, Private)

Xebec are one of America's many "lost" progressive rock bands of the 1970s. They existed for a few years in the fertile prog underground scene of the upper midwest (Grand Rapids, Michigan in this case), but only managed to release one virtually unknown EP before packing it in and going their separate ways. However, like many such bands, there is more unheard material sitting in the vault, so to speak. The studio tracks consist of one instrumental original and a very intriguing cover of Touch's seminal "Seventy Five", given a mid 70s midwestern prog makeover. The lengthy and fairly well recorded (though a bit rough in spots) live set consists of a few originals and a number of covers, this time including Yes, Genesis, and Gentle Giant, but once again sounding so distinctly midwest prog as to almost become their own unique entities. The originals are a mixture of very Yes-inspired progressive songs and a couple of more experimental instrumental tracks, including an alternately spacey and aggressive 9+ minute number that's pretty amazing. Back in the heyday of US prog reissues/archival releases, I could have seen labels like Syn-Phonic or Shroom putting this material out, but these days I'm not sure it would fly. Regardless, this stuff is pure gold for those interested in this particular time, place and style.

This one sounds right up my alley!!

Wednesday, November 4, 2015

Zthurehz, Sweden

Zthürehz - Zthürehz (Sweden, 1981, Sill Y)

Swedish prog obscurity that's somewhat marred by occasional incursions of early 80s new wave and even some reggae influences. Also perhaps a bit too vocal oriented, at least for my tastes. Unsurprisingly, they fare better on the longer pieces, where they're able to stretch out a little more musically. Some of that typical Scandinavian melancholy also helps the cause, but the general amateurism doesn't. Worth a listen for genre deep divers, but otherwise nothing too special.

Tuesday, November 3, 2015

Holocausto, Puerto Rico

Holocausto - Aleluya (Puerto Rico, 1974, Discos Roka)

Moved to UMR

Priority: 3

Monday, November 2, 2015

Naniwaya Tatsumaru & Warner Beatniks, Japan

Naniwaya Tatsumaru & Warner Beatniks - Keiantaiheiki (Yoshitatsu Kyounobori) Rock Roukyoku Rock (Japan, 1971, Reprise)

Moved to UMR

Priority: None

Sunday, November 1, 2015

Tatsuya Takahashi & Tokyo Union Orchestra, Japan

Tatsuya Takahashi & Tokyo Union Orchestra - The Rock Seasons (Japan, 1972, Toshiba-Express)

Moved to UMR

Priority: None