A listing of obscure 60's, 70's, and 80s prog, psych, jazz fusion, electronic, and hard rock albums that remain largely unknown (generally due to a lack of a reissue).
Showing posts with label 2013. Show all posts
Showing posts with label 2013. Show all posts
Monday, December 23, 2013
News: Latest announcements from Lion Productions
I haven't heard any of these, but they look interesting enough to call out. And we know Lion will do a top notch job on them! Presumably, if you've been following my blog, you know the Laurence Vanay's are available now. LP's are on their way early next year as well. Don't miss those gems! As well, Probe 10 looks like a February 2014 release - can't wait for that one!
OK, onto the latest batch, with descriptions provided by the label:
The CASE "Blackwood" LP edition—catalogue number: (LION LP-119); UPC: 778578311919; CD edition—catalogue number: (LION 659); UPC: 778578065928: Blackwood. The title alone is portentous, at the very least semi-evil sounding. Fear not, there are no devils, demons, or witches lurking in these woods. Instead we have a heretofore almost completely unknown and rarely spoken of album of nine original tracks, self-released on the legendary RPC Records label by a group of self-motivated teens from Pennsylvania. Luckily for lovers of musical mayhem, the Case got access to their school music room and a four-track recorder over a Christmas break in 1971. A rock-solid, hard-driving rhythm section lays down the necessary underpinning for moody organ and beautifully-toned guitar. There is sheer joy at play here, a kind of rock 'n' roll exuberance—with ample raw talent and wicked riffing—which shines through on every cut. Terrific raw, primitive album, simultaneously loose and intense, like the Velvet Underground at their best. • American primitive album recorded in 1971 by very advanced high-schoolers during their Christmas vacation, self-released on the legendary RPC Records label • Color insert includes notes by the band + rare photos • Both formats limited to 500 copies
FUSIÓN "Top Soul" (LION 673); UPC: 778578067328: Impossible to find jazz/soul/funk monster by Fusión, issued in Chile in 1975 by ALBA (ALD-041)—a fulsome combination of funk, electric jazz, and soul, with Latin roots. Bassist Enrique Luna had lived and studied art in New York, and knew first-hand the last, avant-garde years of John Coltrane, and Miles Davis’ mutation from hard bop trendsetter into an electric jazz pioneer; Matias Pizarro had appeared on the scene in the mid-60s as a young pianist of outstanding technical ability and advanced ideas. Together they formed a band around a core of Peruvian musicians, with soloists including David Estánovich (tenor sax) and Lautaro Rosas (guitar), plus a rhythm trio of Mario Lecaros (electric piano, former Village Trio), and Orlando Avendaño (drums), with guest appearances by trumpeter Daniel Lencina, and young percussionist Santiago Salas (Santa y su gente). Censorship during the Chilean military regime meant heavy restrictions on the artists in the local jazz/soul/funk scene. Thus the Fusión album was pressed in a very limited quantity, and never legally re-issued—until now! Comes with a bi-lingual booklet which explores the story of Fusión in the context of the rich Chilean rock music scene.
SANTA Y SU GENTE (SANTA & HIS PEOPLE) (LION 674); UPC: 778578067427: In the 1970's in Chile, recording anything was complicated. The state-owned IRT label was administered by the military. Domestic releases gave way to an invasion of foreign music. Recitals or concerts were impossible—at most a group could hope for one appearance on television, or a very low-key event—this was the reality of the music world after the coup. Yet a few groups had the good fortune to overcome the prevailing censorship: this was the case with Santa y su Gente (Santa and his People). Santiago Salas was a percussionist stepped in jazz. It was he who assembled a band with musicians of the caliber of Lautaro Rosas and Mario Lecaros. The latter was a powerful musician, who would appear in other jazz fusion projects in those difficult years, and then leave Chile together to do an impressive job abroad with his group Comet. The one and only album of Santa y su Gente, “Urgente,” was released by RCA/IRT/Alba in 1974. This album is very rare, and therefore not very well known; but it contains all you can ask for: a Latin Afro-jazz fusion, half salsa and half Afro, with something powerful to say. Highly recommended. Comes with a bi-lingual booklet which explores the story of Santa y su Gente in the context of the rich Chilean rock music scene.
Tuesday, December 10, 2013
News: Steve Linnegar's Snakeshed to be reissued by Guerssen
Thanks to a note from Steve Linnegar's sister, Diane, we learned today that "Classic Epics" will be coming out on CD from Guerssen. Now of course Guerssen is more known to all of us for LP reissues (and we presume it will also come out in on vinyl as well), but they have done CD issues in the past. Definitely welcome news! Our feature for the album here.
Saturday, December 7, 2013
News: Wooden Hill reissues rare Charge demo album from the UK
Saw this one come over the wire today. This was one of many obscure Kissing Spell reissues that first popped up in the mid 1990s, which is why I never put it in the main list. According to the below, this is the first authorized version, and it appears to include significant bonus material. I wouldn't mind hearing this album again - it sort of blew by without notice nearly 20 years ago. Wooden Hill is an interesting label. They tend to come up with one intriguing reissue every year or two.
Label says: "Recorded in January 1973 as a demo-only pressing to hawk around the major record companies of the era, heavy rock trio Charge's frenzied, guitar-drenched album was counterfeited on both vinyl and CD in the 1990s, and consequently is now firmly established as one of the most legendary rarities to escape from the early Seventies British psychedelic/progressive underground scene. This first-ever authorised reissue adds a previously undocumented LP from twelve months earlier and tells the band's story for the first time. With re-mastered sound and a 12-page booklet with numerous hitherto-unpublished photos, this is the definitive issue of a definitive album!"
Label says: "Recorded in January 1973 as a demo-only pressing to hawk around the major record companies of the era, heavy rock trio Charge's frenzied, guitar-drenched album was counterfeited on both vinyl and CD in the 1990s, and consequently is now firmly established as one of the most legendary rarities to escape from the early Seventies British psychedelic/progressive underground scene. This first-ever authorised reissue adds a previously undocumented LP from twelve months earlier and tells the band's story for the first time. With re-mastered sound and a 12-page booklet with numerous hitherto-unpublished photos, this is the definitive issue of a definitive album!"
Wednesday, December 4, 2013
News: Bureau B reissues Gunter Schickert's "Kinder in Der Wildnis"!
Apparently this is the year of reissues for one Gunter Schickert! This was the last of his solo releases to not find its way onto CD prior (only on CD-R). Perhaps next will be the GAM "1976" cassette?
I just learned of this release today via the Wayside catalog updates (also reissued on vinyl). Strange I had not seen a single update regarding this, even though it's been out for close to two weeks now. I guess I'll need to start scanning the Bureau B website for updates!
Anyway, great news - and entirely unexpected!
I just learned of this release today via the Wayside catalog updates (also reissued on vinyl). Strange I had not seen a single update regarding this, even though it's been out for close to two weeks now. I guess I'll need to start scanning the Bureau B website for updates!
Anyway, great news - and entirely unexpected!
Friday, November 29, 2013
News: Strawberry Rain and Majemuk Records to reissue Abbhama from Indonesia
And speaking of albums I never got around to giving its own post, but have in the main list ("The Original CD Wish List"), here's one that I most assuredly would have eventually covered. And now I don't have to! Abbhama is an interesting album that mixes English Big 3 progressive rock with Asian pop music. I believe it was only issued as a cassette prior, similar to many Indonesian items from the 70s and 80s.
Here's the news announcement from Strawberry Rain: "One of the nice things about trading and collecting records is you meet people around the world. One person I’ve dealt with for many years now, and developed a strong friendship with is AGUS from Jakarta, Indonesia. Due to the amount of work we’ve both put in to the region, we’ve decided to combine forces to help bring the best products and licenses to both the World market, and Indonesian markets. This will not only improve our overall output, but it will help the Indonesian market to get reissues in a more efficient manner. Our first joint contract was finished today, and we’re proud to announce the upcoming release of the progressive rock “ABBHAMA BAND”, which we’ll release together on LP and CD for the first time ever! This means both Strawberry Rain and Majemuk Records will be releasing “ABBHAMA BAND” on LP and CD in a joint venture, splitting the pressing across our regions respectfully. I will also be supporting and helping to distribute all of Majemuk Records releases, and Majemuk will continue to support Strawberry Rain within the Indonesian region. Look out for many projects from both labels, including Marcell Thee which is currently in production!"
Here's the news announcement from Strawberry Rain: "One of the nice things about trading and collecting records is you meet people around the world. One person I’ve dealt with for many years now, and developed a strong friendship with is AGUS from Jakarta, Indonesia. Due to the amount of work we’ve both put in to the region, we’ve decided to combine forces to help bring the best products and licenses to both the World market, and Indonesian markets. This will not only improve our overall output, but it will help the Indonesian market to get reissues in a more efficient manner. Our first joint contract was finished today, and we’re proud to announce the upcoming release of the progressive rock “ABBHAMA BAND”, which we’ll release together on LP and CD for the first time ever! This means both Strawberry Rain and Majemuk Records will be releasing “ABBHAMA BAND” on LP and CD in a joint venture, splitting the pressing across our regions respectfully. I will also be supporting and helping to distribute all of Majemuk Records releases, and Majemuk will continue to support Strawberry Rain within the Indonesian region. Look out for many projects from both labels, including Marcell Thee which is currently in production!"
Friday, November 22, 2013
News: Eloiteron's "Lost Paradise" to be reissued by Belle Antique
Well it's been a long time, if ever, that we received news on a Friday night for a new CD reissue. The always surprising Belle Antique (Marquee) of Japan have announced their intention to reissue Eloiteron's sole album on December 20th, in their usual mini-LP format. I couldn't find any supplemental reissue news around this - that is to say maybe something indigenous to Switzerland - but we know Belle Antique does things the right way, and achieves official rights upfront. Let's just hope they get a fine mastering on this like Old Man & the Sea and not like the tinny Aquarelle.
We featured Eloiteron years ago, and fortunately I own the original LP in case things go south.
As an aside, Panna Fredda's brilliant album will also be reissued in Japan for the first time by Belle Antique. I have both the original LP and the BTF CD, but might splurge for the extra Japanese copy here to see what they do with it.
And heck, while I'm at it, look for Abus Dangereux's debut and the Surya album to come out on Belle Antique as well.
We featured Eloiteron years ago, and fortunately I own the original LP in case things go south.
As an aside, Panna Fredda's brilliant album will also be reissued in Japan for the first time by Belle Antique. I have both the original LP and the BTF CD, but might splurge for the extra Japanese copy here to see what they do with it.
And heck, while I'm at it, look for Abus Dangereux's debut and the Surya album to come out on Belle Antique as well.
Wednesday, November 13, 2013
News: Jimmy, Yoko & Shin to be reissued on Think
Here's one I was planning on featuring for a long time, and just never got around to doing it. And now I don't have to, thanks to a tip from Laser Ken! Disc Union's jazz based label Think will be reissuing this scarce album from the progressive keyboard trio of Jimmy, Yoko and Shin. Though it was originally on Three Blind Mice - a label that is becoming increasingly collectable amongst jazz collectors "in the know" - the music on "Sei Shonagon" falls squarely in the progressive rock camp. I was most reminded of the obscure archival release by Mahoujin, that we featured over on the UMR a long while back.
I'm buying!
I'm buying!
Wednesday, October 23, 2013
News: Shroom Angel to issue archival album by Chameleon
Great to see fellow Texans' Shroom Angel getting back into the game. My home state was purportedly home to many progressive rock bands throughout the 70s, and yet so very few have surfaced. But Shroom certainly have done their part, as have others (Hands in particular, which was practically in my back yard growing up in NW Dallas, and yet I never knew of them!).
By description, Chameleon sound exactly like my kind of American band toiling away in the local clubs. Shroom says: "Previously unreleased vintage studio tracks spanning 1976 to 1978. Beginning in the early 1970s and continuing until 1980, this relatively unknown band from Houston managed to record a stunning collection of songs that are the musical expression of the word Chameleon. Twisting and turning, changing colors, leaping out of your speakers at times with unbridled ferocity- this band will hold your attention throughout the 70+ minutes contained on this disc. Musicians Spencer Clark (guitars, vocals), Mike Huey (drums), Craig Gysler (keys, vocals), and Rick Huey (bass) rounded out the mid-70s line-up with a key change being made later in 1978 with the addition of Marty Naul (Oz Knozz) on drums. The band's sound and style reflect the artists they listened to and loved yet at the same time they managed to craft their own unique tones. One may hear reflections of Peter Gabriel-era Genesis, Canterbury heavyweights Camel, King Crimson, Dixie Dregs, and Eloy in their music."
In addition to this title, Shroom also announced their intention to release an archival CD/LP from a Dallas rock band called Shotgun. Apparently they received area radio play on the legendary KZEW from 1976 to 1978. The summer of 1977 is when I first started tuning in attentively to "The Zoo", but I just can't remember Shotgun. But that was a looong time ago, and I was only 12 years old. It appears they were a straightforward rock band with female vocals, but the descriptions I've read aren't very telling. I may get it just because of the local connection.
By description, Chameleon sound exactly like my kind of American band toiling away in the local clubs. Shroom says: "Previously unreleased vintage studio tracks spanning 1976 to 1978. Beginning in the early 1970s and continuing until 1980, this relatively unknown band from Houston managed to record a stunning collection of songs that are the musical expression of the word Chameleon. Twisting and turning, changing colors, leaping out of your speakers at times with unbridled ferocity- this band will hold your attention throughout the 70+ minutes contained on this disc. Musicians Spencer Clark (guitars, vocals), Mike Huey (drums), Craig Gysler (keys, vocals), and Rick Huey (bass) rounded out the mid-70s line-up with a key change being made later in 1978 with the addition of Marty Naul (Oz Knozz) on drums. The band's sound and style reflect the artists they listened to and loved yet at the same time they managed to craft their own unique tones. One may hear reflections of Peter Gabriel-era Genesis, Canterbury heavyweights Camel, King Crimson, Dixie Dregs, and Eloy in their music."
In addition to this title, Shroom also announced their intention to release an archival CD/LP from a Dallas rock band called Shotgun. Apparently they received area radio play on the legendary KZEW from 1976 to 1978. The summer of 1977 is when I first started tuning in attentively to "The Zoo", but I just can't remember Shotgun. But that was a looong time ago, and I was only 12 years old. It appears they were a straightforward rock band with female vocals, but the descriptions I've read aren't very telling. I may get it just because of the local connection.
Saturday, October 12, 2013
News: Strawberry Rain announces reissue of Julien Grycan album
While we await our big announcement (and there may be a delay, as a new development came along late yesterday - we'll see), we were recently contacted by the good folks behind the Strawberry Rain label. They let us know that the very rare Julien Grycan 1980 album "Post-Atom" will be reissued on CD and LP. Ms. Grycan is a new name for me, but SR stated that it would be of interest to the CDRWL. I believe him! Cool stenciled drawing cover, that's for sure. The photo above comes from a former ebay auction, where the description stated: "French acid folk psych on private label Kiosque d'Orphée . with stoned
vocals, effects and great guitars and acidy parts. Like 1st Manset ,
Denis , en ces jours or Beautiful losers..."
As well, SR filled in more detail on the Mar-Vista album we reported on earlier. This sounds better than I had imagined! He further describes the album as thus: "Side A is influenced by Ash Ra Tempel, Popol Vuh and even Balinese music and is very killer. It plays as 1 long song, but it's 6 songs blended with sound effects and strangeness. It's like a bad dream on vinyl with fuzz, lo-fi vocals like Dandelion, keys, strange loud sound effects flying left to right speaker & looping etc... but it's not experimental, it's song oriented and progressive. Side B is 1 long song made of synths like Klaus Schulze or Tangerine Dream." Sounds great to me!
As well, SR filled in more detail on the Mar-Vista album we reported on earlier. This sounds better than I had imagined! He further describes the album as thus: "Side A is influenced by Ash Ra Tempel, Popol Vuh and even Balinese music and is very killer. It plays as 1 long song, but it's 6 songs blended with sound effects and strangeness. It's like a bad dream on vinyl with fuzz, lo-fi vocals like Dandelion, keys, strange loud sound effects flying left to right speaker & looping etc... but it's not experimental, it's song oriented and progressive. Side B is 1 long song made of synths like Klaus Schulze or Tangerine Dream." Sounds great to me!
Wednesday, September 11, 2013
News: Exciting announcements coming from the Lion label camp!
December 8, 2013 update: The Vanay albums have been released!
We've recently heard from Vincent, who runs the CDRWL's favorite US based reissue label: Lion Productions. While not all of Lion's releases intersect with the CDRWL's personal interests, this latest set of news either touches the circle, or is a complete bullseye.
I think the most exciting news is that the Laurence Vanay albums are imminent! As in the October / November time frame. The LPs may come a month or two later depending on pressing plant priorities. Vincent states: "Loads of bonus tracks on both CD versions, almost doubling the original length of the albums. The LP versions will be exact replicas (without bonus tracks)." And the big surprise here is that we can also expect reissues of her mythical, and previously unreleased, "Les Soleils de la Vie" and "La Petite Fenetre" albums! What will not be reissued is her "Magic Slows" album, since Ms Thibault isn't very fond of it herself. And fellow Gnosis explorer Lev from Russia has already demystified the contents of the album, thus categorizing the omission as "no loss".
We've also been told that we may see Probe 10 as early as December of this year, or early 2014. So that's also very exciting news for the CDRWL.
With that, let's move onto Lion's three new releases that I think many of you will be interested in. I haven't personally heard any of them to date. The T2 is what amounts to the second post-"It'll All Work Out in Boomland" archival set of releases. Lion was involved with the first set as well which were called "T2" or "Fantasy". Those recordings were from 1970, and this latest batch constitute their 1971 to 1972 output (obviously). And, yes, this has already been issued on LP. This will be its debut on CD.
Tin House is a 1971 hard rock album from Florida that is highly rated in some circles. Based on the reviews I've read, it sounds like something I need to hear. Might as well just start with the Lion CD!
The Guy Skornik is another album that looks intriguing. Not too many albums will reference Wahkevitch, Berger, Gainesbourg, and Manset in the same paragraph. I've also read comparisons to Popera Cosmic! The promo sheet says: "Digipack CD + 28 page booklet. Between 1970 and 1973, EMI/Path released several ambitious and progressive pop albums, including 'La Mort Dorion' (Grard Manset), 'Puzzle' (Michel Berger), 'Hathor' (Igor Wakvitch), and 'Pour Pauwels' by Guy Skornik. Skornik was a mystic explorer, psychonaut, and gifted musician, who was immersed in the metaphysical revolutions of his time. He presented television reports, laced with elements of Eastern mysticism, on LSD experiences. And then there was Skornik's album, 'Pour Pauwells', inspired by the revolutionary writings of Louis Pauwells, one-time counterculture hero and disciple of esoteric spiritualist G. I. Gurdjieff. Guy was brought to the public's attention for the first time in the beginning of 1970 with the release of a magnificent LP on the Path-label. Skornik tried, and succeeded perfectly, to do with his music what Louis Pauwels did with his huge best-seller 'The Morning Of The Magicians'. This is one of a handful of classic French progressive pop concept albums released in the early 1970's, together with Serge Gainsbourgs 'Melody Nelson' and the titles mentioned above. Features arrangements by Ivan Jullien (Franoise Hardy, Johnny Hallyday, Quincy Jones and Elton John). Licensed from Parlophone. Limited to 500 copies."
Lots to look forward to here!
Wednesday, August 21, 2013
News: Gringo to be reissued in September
I sense summer is starting to close, as the announcements are starting to roll in again. I myself have a couple of weeks of summer vacation still to take, but it's obvious the Fall season is upon us.
Gonzo, a sub label of the same folks behind Voiceprint, will be reissuing Gringo for the first time. I never featured the album prior, as there was a fuzzy/gray reissue from Audio Archives long ago with little backup as to the source. I'm no legal expert, so I just stayed out of the discussion. Well now we have a bonafide legit reissue that you can buy with confidence!
Label says: "You may not have heard the name, but I am sure that if you are reading this you have heard his music. John G Perry is best known for his session work, most notably for Caravan on "For Girls Who Go Plump in the Night" and "Caravan and the New Symphonia," but he has performed with many other Prog and non-Prog artists. Although he was born in America, his parents were British and soon moved back to the UK, and as PERRY grew up, he became more interested in music. One of his first projects as a musician was called Gringo. Evolving from student beat groups, Utopia and Toast, in 60s Bath; Gringo also featured Henry Marsh who later sampled chart success with Sailor, and Simon Byrne worked with – of all people - Brotherhood of Man among others. Perry describes the early days of the band: It started out as Utopia, a five-piece copy band doing all the hits from the Beatles and the Searchers and lots of stuff playing at college and parties. Everybody in the band had been at private school and sung in the choir, so it was a terrific vocal band. We used to do wonderful renditions of Beach Boys songs, we were really rather good at that. It was basically the same band all the way through, the three of us : Henry Marsh on guitar and keyboards, Simon Byrne on drums and myself... That first band unfortunately split when everybody went their way. I went off to become a farming student, working on different dairy farms in the West country of England. But I kept in contact with Henry and Simon, and they approached me one day, saying they'd have a year off in their studies, and would I join them to form a new band, you know, rather than go grape-picking in France, which I thought would be wonderful... I actually had also decided to have a year off before I was going to go up to the Royal Agricultural College in Cirencester. So we elected to get this band together, which was called Toast. We hired one of the farmers' cottages, locked ourselves away and worked very hard, rehearsing or whatever, built up a repertoire and then we came up to London, and three months later we're on television! The show was 'Colour Me Pop' and we did three songs on that... So none of us went back to college, and we all carried on in a musical career. Gringo toured in Europe and even made a living with a club residency on the south coast of France. They were opening act on a UK tour featuring Barclay James Harvest and Caravan. Perry takes up the story: We were there a sort of opening act, and got to know both bands and kept in touch with them. It was a good tour actually, very successful, cause Caravan were very well-known in the South of England and BJH were very well-known in the North of England, so all the way round the country we had the crowds and stuff, so for us that was taking us out of the small clubs into concert halls and theaters and stuff like that, so that was a good experience for us. Their recorded legacy is a quality album of pop-tinged progressive rock that still sounds fresh, with a lightness of touch and many distinctive twists. The song-within-a-song piece, Emma And Harry, is worthy of note, but all nine tracks are good. It is tempting to wonder if “Land of Who Knows Where” may have been inspired by a certain Caravan album released the same year.
Tracks: 1. Cry The Beloved Country , 2. I'm Another Man , 3. More And More , 4. Our Time Is Our Time , 5. Gently Step Through The Stream , 6. Emma And Harry , 7. Moonstone , 8. Land Of Who Knows Where , 9. Patriotic Song , 10. * I'm Another Man (single version) , 11. * Soft Mud (* Bonus tracks) ."
Gonzo, a sub label of the same folks behind Voiceprint, will be reissuing Gringo for the first time. I never featured the album prior, as there was a fuzzy/gray reissue from Audio Archives long ago with little backup as to the source. I'm no legal expert, so I just stayed out of the discussion. Well now we have a bonafide legit reissue that you can buy with confidence!
Label says: "You may not have heard the name, but I am sure that if you are reading this you have heard his music. John G Perry is best known for his session work, most notably for Caravan on "For Girls Who Go Plump in the Night" and "Caravan and the New Symphonia," but he has performed with many other Prog and non-Prog artists. Although he was born in America, his parents were British and soon moved back to the UK, and as PERRY grew up, he became more interested in music. One of his first projects as a musician was called Gringo. Evolving from student beat groups, Utopia and Toast, in 60s Bath; Gringo also featured Henry Marsh who later sampled chart success with Sailor, and Simon Byrne worked with – of all people - Brotherhood of Man among others. Perry describes the early days of the band: It started out as Utopia, a five-piece copy band doing all the hits from the Beatles and the Searchers and lots of stuff playing at college and parties. Everybody in the band had been at private school and sung in the choir, so it was a terrific vocal band. We used to do wonderful renditions of Beach Boys songs, we were really rather good at that. It was basically the same band all the way through, the three of us : Henry Marsh on guitar and keyboards, Simon Byrne on drums and myself... That first band unfortunately split when everybody went their way. I went off to become a farming student, working on different dairy farms in the West country of England. But I kept in contact with Henry and Simon, and they approached me one day, saying they'd have a year off in their studies, and would I join them to form a new band, you know, rather than go grape-picking in France, which I thought would be wonderful... I actually had also decided to have a year off before I was going to go up to the Royal Agricultural College in Cirencester. So we elected to get this band together, which was called Toast. We hired one of the farmers' cottages, locked ourselves away and worked very hard, rehearsing or whatever, built up a repertoire and then we came up to London, and three months later we're on television! The show was 'Colour Me Pop' and we did three songs on that... So none of us went back to college, and we all carried on in a musical career. Gringo toured in Europe and even made a living with a club residency on the south coast of France. They were opening act on a UK tour featuring Barclay James Harvest and Caravan. Perry takes up the story: We were there a sort of opening act, and got to know both bands and kept in touch with them. It was a good tour actually, very successful, cause Caravan were very well-known in the South of England and BJH were very well-known in the North of England, so all the way round the country we had the crowds and stuff, so for us that was taking us out of the small clubs into concert halls and theaters and stuff like that, so that was a good experience for us. Their recorded legacy is a quality album of pop-tinged progressive rock that still sounds fresh, with a lightness of touch and many distinctive twists. The song-within-a-song piece, Emma And Harry, is worthy of note, but all nine tracks are good. It is tempting to wonder if “Land of Who Knows Where” may have been inspired by a certain Caravan album released the same year.
Tracks: 1. Cry The Beloved Country , 2. I'm Another Man , 3. More And More , 4. Our Time Is Our Time , 5. Gently Step Through The Stream , 6. Emma And Harry , 7. Moonstone , 8. Land Of Who Knows Where , 9. Patriotic Song , 10. * I'm Another Man (single version) , 11. * Soft Mud (* Bonus tracks) ."
Monday, August 19, 2013
News: King Records of Japan to reissue many progressive titles
On the same topic, and worth noting, is that Belle Antique of Japan plans on issuing the Klockwerk Orange on CD in the mini-LP format (release late September). This will be the full double LP version as presented by Digatone earlier this summer. So for those of you who were bemoaning having to buy the LP just to get the CD (which, BTW, doesn't include all the bonus tracks as the LP reissue), your patience will be rewarded. Of course the price point probably will be similar since it's a double CD in the mini-LP format...
Monday, July 29, 2013
News: Major Surgery's "The First Cut" has just been reissued on CD!
The label described the album as thus: "A fully remastered re-issue of the 1976 original vinyl release, which includes a previously unreleased track from the original recording session. The sound of the South London Jazz and hipster scene of the early 1970s transcending a time and place which can be found no more and is simultaneously timeless. True and raw music genius fronted by the "Tenor Titan" Don Weller, backed by Bruce Collcutt on bass guitar, Jimmy Roche on guitar and the late Tony Marsh on the drums. The CD release contains an 8 page booklet including liner notes and rare band photographs."
Our blog feature of the album is here. This was an AC discovery from last year.
Wednesday, July 24, 2013
News: BLIM's two cassettes to be reissued soon!
Thanks to a note from Gnosis Mike, we learned today that the two brilliant UK festival space rock cassettes will be reissued as a 2 CD set. More info about the reissues here.
Our feature of both albums can be found here. This is great news. Perhaps Crow won't be far behind?
Wednesday, July 10, 2013
News: Rocket Records to reissue Nimbus, TT Oksala, and 3rd Haikara album
Thanks to a tip from our friend Progvarius, we learned this morning that Rocket Records will be reissuing the excellent Nimbus "Obus" album. I've been waiting for this announcement for some time, hoping that Rocket would eventually reissue it. Here's our original entry. Another Priority 2 (borderline 1) reissued! And Rocket always does a first class job.
In addition to the Nimbus album, Rocket will be reissuing T.T. Oksala's "Radio Storm", an album I haven't personally heard but one that Provarius says is quite good. And, finally, look for the reissue of Haikara's 3rd album "Iso Lintu". It's a far cry from their classic first 2 albums "Haikara" and "Geafar", but I'm sure there are many who will be glad to complete the collection. This will be its first ever reissue.
In addition to the Nimbus album, Rocket will be reissuing T.T. Oksala's "Radio Storm", an album I haven't personally heard but one that Provarius says is quite good. And, finally, look for the reissue of Haikara's 3rd album "Iso Lintu". It's a far cry from their classic first 2 albums "Haikara" and "Geafar", but I'm sure there are many who will be glad to complete the collection. This will be its first ever reissue.
Wednesday, June 19, 2013
News: Sway to be reissued soon (kind of)
Thanks to an insider tip, we have learned that the magnificent Sway album is being reissued with permission from the band. Not sure of the label name yet, but it is coming out from Italy in a mini-LP format. This is fantastic news and one of our Priority 2's!
You should be seeing it from your favorite dealer soon :-)
August 5, 2013 update: OK, I have it in my hands now. Well... first thing is the "obi" strip uses my description for the album. And they didn't ask for permission. Not that I care all that much really, but it is protocol to do such - so that's a major red flag right there. The sound is absolutely fine considering it's not from the masters. And we do have it on good authority that Palumbo himself is aware of this reissue. This is the classic "gray area" reissue. Sometimes I see that term when they outright mean to say it's a pirate edition. This is not the case here. All the same - I'm not considering this reissued legit, and will keep in the main list. Unless I hear convincing data otherwise. But I don't regret buying this version, and if a legit CD comes along, I'll buy it again willingly. But it's my understanding the masters are gone, and demand is light, so this is probably it. Unfortunately.
You should be seeing it from your favorite dealer soon :-)
August 5, 2013 update: OK, I have it in my hands now. Well... first thing is the "obi" strip uses my description for the album. And they didn't ask for permission. Not that I care all that much really, but it is protocol to do such - so that's a major red flag right there. The sound is absolutely fine considering it's not from the masters. And we do have it on good authority that Palumbo himself is aware of this reissue. This is the classic "gray area" reissue. Sometimes I see that term when they outright mean to say it's a pirate edition. This is not the case here. All the same - I'm not considering this reissued legit, and will keep in the main list. Unless I hear convincing data otherwise. But I don't regret buying this version, and if a legit CD comes along, I'll buy it again willingly. But it's my understanding the masters are gone, and demand is light, so this is probably it. Unfortunately.
Saturday, June 15, 2013
News: Sireena to reissue Mythos "Grand Prix" album from 1981
Certainly not the most exciting news out there, but I felt I should mention it anyway. I really enjoy the predecessor "Quasar"album, but Kaske lost me on "Grand Prix". All the same, I'm sure the album has plenty of fans, and since it's already in the CDRWL, I can go ahead and mark Mythos' catalog as having been fully reissued now.
My notes on the album here
My notes on the album here
Sunday, June 2, 2013
News: Digatone to reissue Isaiah!
Perhaps the best news about this announcement is that the Klockwerk Orange was not a one-off reissue. Digatone seem to be on the warpath in regards to reissuing Austria's past progressive rock history. For years, I've wondered if there was more from Austria than we ever realized, especially after hearing (and acquiring) the magnificent Ginga Rale Band for the first time last year. Thanks to a tip from a friend, I discovered this website that officially announces the Isaiah LP coming out in the Fall of this year. I have Isaiah in the main list, and it's an album I feel I might grow into with the proper recording. I've only heard the bootleg CD that Poor House put out over 15 years ago.
Here's to more reissues from Digatone! My Klockwerk Orange is in the mail to me now - so I anxiously await that one.
Here's to more reissues from Digatone! My Klockwerk Orange is in the mail to me now - so I anxiously await that one.
Saturday, June 1, 2013
News: Strawberry Rain to reissue Kelompok Kampungan album from Indonesia
For the second month in a row, Strawberry Rain have come up with a reissue for an album I've never even heard of. This is a super rare artifact from Indonesia, a country that continues to unearth albums that few knew existed. As soon as I saw the magic word "Paebiru", I wanted to hear it. You can check out some samples from the Strawberry Rain main page. After hearing them, it's certainly on the folk side of the Cortes and Remalho masterpiece, but I can definitely understand the comparison. And I'm always up for hearing albums that make their own instruments! I think this title will be well received by many.
Label says: "One of the true gems of the Indonesian scene, this album stands to be one of the best, and also one of the most unique albums to come from the region. Banned by the Shuko government soon after release, it remains somewhat obscure to most collectors up until now. An album created by Bram Makahekum (who had no musical experience or training at all) Kelompok Kumpangan had multiple members by trying to recreate the sounds of nature, even using original handmade instruments invented by the band themselves. The end result is nothing short of brilliant, one of our personal favourites from the region. There isn’t much to compare this to, maybe the Indonesian equivalent of a Paebiru or Genesis from Columbia at times, but it’s very unique and stands on its own. Wonderful progressive folk of the highest caliber interweaving flutes, violins, acoustic guitars, Indonesian percussion and other instrumentation. We can’t stand behind this one enough, it’s truly brilliant. 700 copies housed in paste on covers, includes insert with photos and history written by Indonesian music journalist Denny Sakrie. One time limited edition, CD limited to 1000 copies and has 4 songs not on the LP version that were never released on vinyl before. We will be releasing a 10″ of these songs in the near future."
Label says: "One of the true gems of the Indonesian scene, this album stands to be one of the best, and also one of the most unique albums to come from the region. Banned by the Shuko government soon after release, it remains somewhat obscure to most collectors up until now. An album created by Bram Makahekum (who had no musical experience or training at all) Kelompok Kumpangan had multiple members by trying to recreate the sounds of nature, even using original handmade instruments invented by the band themselves. The end result is nothing short of brilliant, one of our personal favourites from the region. There isn’t much to compare this to, maybe the Indonesian equivalent of a Paebiru or Genesis from Columbia at times, but it’s very unique and stands on its own. Wonderful progressive folk of the highest caliber interweaving flutes, violins, acoustic guitars, Indonesian percussion and other instrumentation. We can’t stand behind this one enough, it’s truly brilliant. 700 copies housed in paste on covers, includes insert with photos and history written by Indonesian music journalist Denny Sakrie. One time limited edition, CD limited to 1000 copies and has 4 songs not on the LP version that were never released on vinyl before. We will be releasing a 10″ of these songs in the near future."
Sunday, May 26, 2013
News: Klockwerk Orange album reissued!
Well.... this news did not come from any of my usual sources. Just an anonymous comment on my CDRWL album entry. No links, no nuthin. Just a label I hadn't heard of before (Digatone). Many times I get notices for pirate issues that I just ignore and delete - but not this time! A little research shows we have the real deal here folks! This is exciting stuff... Dealers, start stocking up!
Here's the Facebook page where you can validate the story. Here's the official blurb: "
Klockwerk Orange
Abrakadabra
1975/2013 Reissue als 2xLP Album + CD
Digatone Records – DIG 001
Vertrieb: Trost
Veröffentlichung: 17. Mai 2013
Kontakt und weitere Infos dazu:
Albi Dornauer: fb: https://www.facebook.com/albi.albi.albi?fref=ts
mail: digatone@gmail.com
Eine der außergewöhnlichsten österreichischen LPs der 1970er Jahre mit dem wundersamen Titel “Abrakadabra” stammt von einer obskuren Teenagerband aus dem Tiroler Alpenland: Klockwerk Orange. Als das Album 1975 erscheint, sind die medialen Reaktionen verhalten, 38 Jahre später hat sich die Platte zu einer weltweit gesuchten und ultra-kostspieligen Monster-Rarität des Psychedelic Rock gemausert. Internetforen von Südkorea bis Chile, von Kanada bis Thailand diskutieren über das irgendwo zwischen Symphonic Progressive Rock à la Pink Floyd und Emerson, Lake & Palmer und epischen Klassikelementen à la Bruckner angesiedelte Werk der Band Klockwerk Orange. Der Sammlerwert kratzt an der Tausend Euro Marke, nun wird das längst vergriffene Album vom Innsbrucker Label Digatone wiederveröffentlicht. Als besonderer Bonus enthält das Reissue auch noch drei unveröffentlichte Nummern plus zwei Live Versionen, aufgenommen bei einem Konzert im Innsbrucker Stadtsaal 1975. Die Neuauflage in Doppel-Vinyl-Form plus enthaltener CD ergänzt damit das ursprüngliche Werk um verschollene Aufnahmen der Band und gibt gleichzeitig den Startschuss für das in Wien und Innsbruck beheimatete Re-Release-Label DIGATONE.
Für alle Tiroler Fans wird der „neue“ Klockwerk-Tonträger im Rahmen der beiden Konzerte: iMstrumental im Glenthof Imst am 19.5. und Maikonzert im Stadtsaal Landeck am 25.5. weiters noch am Vinyl-Day 19.5. von Tonmöbel Kafka, erhältlich sein."
This translates to (according to Google of course): "One of the most outstanding Austrian LPs of the 1970s with the wondrous title "abracadabra" comes from an obscure band of teenagers from the Tyrolean Alps Country: Klockwerk orange. When the album appears in 1975, the media are behavioral reactions, 38 years later, the board has blossomed into an internationally sought and ultra-expensive Monster rarity of psychedelic rock. Internet forums from South Korea to Chile, from Canada to Thailand discuss this somewhere between Symphonic Progressive Rock a la Pink Floyd and Emerson, Lake & Palmer and epic classical elements à la Bruckner resettled work of the band Klockwerk orange. The collector value scratches at the thousand euro mark, now long out of the album will be released by the label Digatone Innsbruck. As a special bonus, the reissue also contains three numbers plus two unreleased live tracks, recorded at a concert in Innsbruck city hall in 1975. The double vinyl edition in shape plus included CD complements the original work order-lost recordings of the band, while giving the go-ahead for the company headquartered in Vienna and Innsbruck re-release label DIGATONE.
IMstrumental Glenthof in Imst on 19.5: For all fans of the Tyrolean "new" Klockwerk-recorded music under the two concerts will. and Maikonzert city hall Landeck at 25.5. still further on vinyl Day 19.5. be available from Tonmöbel Kafka."
That's right vinyl hounds - a double LP too! Includes a full live concert from 1975 as noted above.
Here's more data from Discogs:
Here's the Facebook page where you can validate the story. Here's the official blurb: "
Klockwerk Orange
Abrakadabra
1975/2013 Reissue als 2xLP Album + CD
Digatone Records – DIG 001
Vertrieb: Trost
Veröffentlichung: 17. Mai 2013
Kontakt und weitere Infos dazu:
Albi Dornauer: fb: https://www.facebook.com/albi.albi.albi?fref=ts
mail: digatone@gmail.com
Eine der außergewöhnlichsten österreichischen LPs der 1970er Jahre mit dem wundersamen Titel “Abrakadabra” stammt von einer obskuren Teenagerband aus dem Tiroler Alpenland: Klockwerk Orange. Als das Album 1975 erscheint, sind die medialen Reaktionen verhalten, 38 Jahre später hat sich die Platte zu einer weltweit gesuchten und ultra-kostspieligen Monster-Rarität des Psychedelic Rock gemausert. Internetforen von Südkorea bis Chile, von Kanada bis Thailand diskutieren über das irgendwo zwischen Symphonic Progressive Rock à la Pink Floyd und Emerson, Lake & Palmer und epischen Klassikelementen à la Bruckner angesiedelte Werk der Band Klockwerk Orange. Der Sammlerwert kratzt an der Tausend Euro Marke, nun wird das längst vergriffene Album vom Innsbrucker Label Digatone wiederveröffentlicht. Als besonderer Bonus enthält das Reissue auch noch drei unveröffentlichte Nummern plus zwei Live Versionen, aufgenommen bei einem Konzert im Innsbrucker Stadtsaal 1975. Die Neuauflage in Doppel-Vinyl-Form plus enthaltener CD ergänzt damit das ursprüngliche Werk um verschollene Aufnahmen der Band und gibt gleichzeitig den Startschuss für das in Wien und Innsbruck beheimatete Re-Release-Label DIGATONE.
Für alle Tiroler Fans wird der „neue“ Klockwerk-Tonträger im Rahmen der beiden Konzerte: iMstrumental im Glenthof Imst am 19.5. und Maikonzert im Stadtsaal Landeck am 25.5. weiters noch am Vinyl-Day 19.5. von Tonmöbel Kafka, erhältlich sein."
This translates to (according to Google of course): "One of the most outstanding Austrian LPs of the 1970s with the wondrous title "abracadabra" comes from an obscure band of teenagers from the Tyrolean Alps Country: Klockwerk orange. When the album appears in 1975, the media are behavioral reactions, 38 years later, the board has blossomed into an internationally sought and ultra-expensive Monster rarity of psychedelic rock. Internet forums from South Korea to Chile, from Canada to Thailand discuss this somewhere between Symphonic Progressive Rock a la Pink Floyd and Emerson, Lake & Palmer and epic classical elements à la Bruckner resettled work of the band Klockwerk orange. The collector value scratches at the thousand euro mark, now long out of the album will be released by the label Digatone Innsbruck. As a special bonus, the reissue also contains three numbers plus two unreleased live tracks, recorded at a concert in Innsbruck city hall in 1975. The double vinyl edition in shape plus included CD complements the original work order-lost recordings of the band, while giving the go-ahead for the company headquartered in Vienna and Innsbruck re-release label DIGATONE.
IMstrumental Glenthof in Imst on 19.5: For all fans of the Tyrolean "new" Klockwerk-recorded music under the two concerts will. and Maikonzert city hall Landeck at 25.5. still further on vinyl Day 19.5. be available from Tonmöbel Kafka."
That's right vinyl hounds - a double LP too! Includes a full live concert from 1975 as noted above.
Here's more data from Discogs:
A1 |
DuonyunohedeprincesR
Music By – Hermann Delago |
11:39 | ||
A2 |
The Key
Lyrics By – Heinrich Prokopetz Music By – Hermann Delago |
10:54 | ||
Abrakadrabra (21:21) | ||||
B1.1 |
Abrakadrabra
Music By – Hermann Delago |
|||
B1.2 |
Temple Sh. Thirty Five
Music By – Hermann Delago |
|||
B1.3 |
Mercedes Benz T 146.028
Music By – Hermann Delago |
|||
- | ||||
Live @ Stadtsaal Innsbruck 1975 | ||||
C1 |
Schlüsselbein Overture
Music By – Hermann Delago |
5:13 | ||
C2 |
Willoughby
Music By – Hermann Delago |
7:50 | ||
C3 |
Vlad Zeppesch
Music By – Hermann Delago, Markus Weiler (2) |
10:20 | ||
D1 |
DuonyunohedeprincesR
Music By – Hermann Delago |
10:13 | ||
D2 |
The Key
Lyrics By – Heinrich Prokopetz Music By – Hermann Delago |
11:04 | ||
1 |
DuonyunohedeprincesR
Music By – Hermann Delago |
11:39 | ||
2 |
The Key
Lyrics By – Heinrich Prokopetz Music By – Hermann Delago |
10:54 | ||
3 |
Abrakadabra - A) Abrakadraba - B) Temple Sh.
Thirty Five C) Mercedes Benz T 146.028
Music By – Hermann Delago |
21:21 | ||
4 |
Schlüsselbein Overture
Music By – Hermann Delago |
5:13 | ||
5 |
Willoughby
Music By – Hermann Delago |
7:50 | ||
6 |
Vlad Zeppesch
Music By – Hermann Delago, Markus Weiler (2) |
10:20 |
Companies etc
- Recorded At – Tonstudio Koch
- Recorded At – Stadtsaal, Innsbruck
- Remastered At – weyrerTon
Credits
- Bass, Vocals – Guntram Burtscher
- Cover, Design – Roland Böck, Wolfgang Böck
- Drums, Bells [Tubular], Timpani – Wolfgang Böck
- Engineer – Franz Koch
- Guitar, Trumpet, Organ, Synthesizer, Vocals – Hermann Delago
- Layout – David Schuller
- Liner Notes [Translated By] – Christopher Ladstätter, Justin Barwick
- Organ, Electric Piano [E-piano], Harpsichord , Synthesizer – Markus "WAK" Weiler*
- Photography By – R. Mathies
- Reissue Producer – Albrecht Dornauer*, Hermann Delago
- Research, Liner Notes – Albrecht Dornauer*
- Transferred By, Remastered By – Kenneth Winkler
Notes
Gatefold Sleeve
Liner notes in English and German
Sides A & B aufgenommen im Tonstudio Koch, Elbigenalp, März 1975
Sides C & D aufgenommen live im Stadtsaal Innsbruck 1975
----
Here's my puny entry for the title. I'll be buying the LP (and the CD that comes with it) as soon as possible!
Liner notes in English and German
Sides A & B aufgenommen im Tonstudio Koch, Elbigenalp, März 1975
Sides C & D aufgenommen live im Stadtsaal Innsbruck 1975
----
Here's my puny entry for the title. I'll be buying the LP (and the CD that comes with it) as soon as possible!
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