Here's the other news item from Achim. This is one of those albums I thought may have been reissued in the past, but no, this is the first legit CD for the album. And it comes from the superb indigenous Soft Records label. As an aside, I have a few of their CDs here to review for Under the Radar, and we have a couple there already (Survolaj, Talitha Qumi) that we've raved about in the past.
I haven't heard this album in ages. I don't even have a copy here, so I'll need to dig around for one. I see I have a rating for it, but I've just removed those as it's been way too long to be fair.
Our RYM friend Apps79 says this about it: "Sfinx came in life in Bucharest around
1963, found by three high school students and friends, drummer Cristian
Valica, bassist Corneliu "Bibi" Ionescu and singer/guitarist Octav
Zemlicka.Among their early members was also organist Idu Barbu, but the
crucial point comes in 1967, when violin player and student Dan Andrei
Aldea joined the band, he was destined to become the band's leader and
an accomplished multi-instrumentalist.Several members would come and go
over the span of the next 7-8 years, Sfinx'es fame though was on the
rise, writing music for the film ''Nunta de piatra'' and releasing a
first single in 1972.A second EP follows in 1974 at a time, when Ionescu
and Aldea were surrounded by ex-Mondial drummer Mihai Cernea and a
second guitarist, Dan Badulescu.Their ex-keyboardist Idu Barbu helped
them during the recording sessions of their debut ''Lume alba'', which
was released in 1975 on the Electrecord label.
You shouldn't
expect by a band from Romania, a country with limited tradition in
Progressive Rock, to break new grounds, but Sfinx appeared to be more
than just a talented band on ''Lume alba'', exploring music fields that
were almost forbidden for other groups.They played a mix of straight
Hard Rock with some supporting poppy tunes, but I also encounter lots of
folky influences and spacey, Fusion touches in their sound.The
standard-structured tracks are rather of limited interest for fans with
no access to the Romanian language, containing lots of punchy guitars,
catchy choruses and dynamic grooves, which are sometimes surrounded by
discreet keyboard sounds.But there are also tracks in here that are
surprisingly good and beyond their time regarding the Romanian Rock
scene.For example ''Sinteza'' is powered by great electric solos and a
marching rhythm section, accompanying some impressive Moog synth solos
with a slight spacey underline or the title-track, which sounds
extremely trippy with its wordless vocals, background bass lines and
soaring synth lines.''Muntele'' is very interesting as well, some of the
guitar parts recall KING CRIMSON at their mid-period, the Hard Rock
leads are still in evidence, but the semi-symphonic synths, the powerful
breaks and the changing climates add a personal aura in this
piece.''Calatorul si copacul'', the opening track is a nice attempt in
Folk/Pop with great violin work by Aldea, while the swansong of the
album, ''Om bun'', is a beautiful piece of archaic Prog Folk with a
slight Medieval atmosphere, featuring poetic voices, traditional flute
lines and light bass work.
That's what should be called Art
Rock.Not groundbreaking by any means, however ''Lume alba'' remains a
hidden gem of versatile Eastern-European Rock music with multilpe
influences, likely to satisfy all lovers of flexible
listenings.Recommended."
A listing of obscure 60's, 70's, and 80s prog, psych, jazz fusion, electronic, and hard rock albums that remain largely unknown (generally due to a lack of a reissue).
Showing posts with label 2015. Show all posts
Showing posts with label 2015. Show all posts
Friday, October 23, 2015
News: Rocket Robert reissued by Got Kinda Lost
CDRWL contributor Achim turned in a couple of news items yesterday. I was not familiar with this album prior, but it looks intriguing for sure. Got Kinda Lost is yet another sub-label from the outstanding Guerssen group of Spain.
Guerssen says: "Those who’ve dirtied their fingers searching high and low for analog synth nuggets can rejoice at the arrival of under-the-radar synthesizer maverick “Rocket” Robert Moore. Less a reissue than an exhumation—what with a scant, hand-screened 142 copies produced in 1982 that circulated little outside the confines of Oregon state—Rocket Robert drifts in the backward-looking sounds of early synth innovators, while equally mining the kraut-tinged moments of punk-era instro synth explorers and the first breaths of synth-pop, rather than carrying similarities to the “New Wave” that was then talking hold of the masses. Issued by Moore’s own Salem, Oregon-based Future Records in 1982, his eponymous debut is simultaneously light-hearted and shot-though with ominous oscillations and offers up a darkly-throbbing, other-worldly vibe that is sure to ensnare synth-heads, beat-diggers and those searching the margins of the private-press alike. Got Kinda Lost Records is over the moon to allow this singular, unique album another chance to shine. RIYL: Delia Derbyshire, Fad Gadget, Mort Garson, Gershon Kingsley, Martin Rev, Morton Subotnick, etc. First time reissue of this under-the-radar synth nugget, with original master tape sound. Recorded in 1982 while having more in common with ‘60s analog synthesizer innovators or ‘70s German followers of the flame, providing the album an “out of time” quality. Includes two previously unreleased spaced-out-electro-pop songs from the album sessions. Insert features informative liner notes by Dave Segal (Staff Writer for Seattle’s alternative weekly The Stranger), culled from interviewing the artist and rare photos from Robert Moore’s archives. LP housed in an old-school-style tip-on sleeve. CD edition features a full-color insert with many images not featured in LP edition. "Unclassifiable outsider synth-damage not unlike Bite-era Bruce Haack and Damon Edge of Chrome collaborating, or weirdo proto-new wavers like Ghostwriters, Pulsar, Todd Tamanend Clark, or a non-operatic Klaus Nomi. Better yet, imagine a Grandmaster Flash-obsessed Kluster retreating into a stoney basement with Richard Pinhas—if that makes no sense, you're on the right path." - Steven “Plastic Crimewave” Krakow (Galactic Zoo Dossier)"
Guerssen says: "Those who’ve dirtied their fingers searching high and low for analog synth nuggets can rejoice at the arrival of under-the-radar synthesizer maverick “Rocket” Robert Moore. Less a reissue than an exhumation—what with a scant, hand-screened 142 copies produced in 1982 that circulated little outside the confines of Oregon state—Rocket Robert drifts in the backward-looking sounds of early synth innovators, while equally mining the kraut-tinged moments of punk-era instro synth explorers and the first breaths of synth-pop, rather than carrying similarities to the “New Wave” that was then talking hold of the masses. Issued by Moore’s own Salem, Oregon-based Future Records in 1982, his eponymous debut is simultaneously light-hearted and shot-though with ominous oscillations and offers up a darkly-throbbing, other-worldly vibe that is sure to ensnare synth-heads, beat-diggers and those searching the margins of the private-press alike. Got Kinda Lost Records is over the moon to allow this singular, unique album another chance to shine. RIYL: Delia Derbyshire, Fad Gadget, Mort Garson, Gershon Kingsley, Martin Rev, Morton Subotnick, etc. First time reissue of this under-the-radar synth nugget, with original master tape sound. Recorded in 1982 while having more in common with ‘60s analog synthesizer innovators or ‘70s German followers of the flame, providing the album an “out of time” quality. Includes two previously unreleased spaced-out-electro-pop songs from the album sessions. Insert features informative liner notes by Dave Segal (Staff Writer for Seattle’s alternative weekly The Stranger), culled from interviewing the artist and rare photos from Robert Moore’s archives. LP housed in an old-school-style tip-on sleeve. CD edition features a full-color insert with many images not featured in LP edition. "Unclassifiable outsider synth-damage not unlike Bite-era Bruce Haack and Damon Edge of Chrome collaborating, or weirdo proto-new wavers like Ghostwriters, Pulsar, Todd Tamanend Clark, or a non-operatic Klaus Nomi. Better yet, imagine a Grandmaster Flash-obsessed Kluster retreating into a stoney basement with Richard Pinhas—if that makes no sense, you're on the right path." - Steven “Plastic Crimewave” Krakow (Galactic Zoo Dossier)"
Sunday, October 18, 2015
News: Baumann/Koek to be reissued on Bureau B
I have to admit I'd never heard of this one before. But CDRWL contributor Eric sent it over, and it indeed does look like something we'd be very interested in. Bureau B continues to be the leading light for all things German Electronik.
Label data: "Baumann/Koek is another hitherto undiscovered treasure of German electronic music, the only album by the electronic music pairing of Wolfgang (not Peter!) Baumann and Ata Koek, both from Kempten, Bavaria. It was mixed in Conny Plank's studio and distributed, without a label, by the duo themselves in 1978. The music owes much to the Berlin School: layered sequencer patterns, swirling chord tapestries, a computer beat here and there. Oriental elements or hints thereof add a particular charm to Baumann/Koek, available now for the first time on CD (+vinyl and download)."
"Rumours persist that Peter Baumann of Tangerine Dream is behind the Baumann/Koek project. Indeed, the music might bear a certain resemblance and the song entitled “TD-Mem” might be seen as a clue. But the rumour is just that, a rumour, with no bearing on the truth. In actual fact, Baumann/Koek can unequivocally be identified as Wolfgang Baumann (no, not the MPS record cover artist), born in Kempten in 1950 and his friend Ata Koek (Köktürk, to be precise), born in Istanbul in 1956. Wolfgang Baumann was 15 years old when he learned to play the electric organ. Some ten years later, he had grown tired of the limited range of sounds the instrument offered and he sold it on the spot. Wolfgang and his friend Ata were determined to explore new tones and musical structures— with a synthesizer. Together, they made the trip from Kempten to Bonn with the singular aim of visiting the legendary Synthesizerstudio Bonn, the very same store where Kraftwerk and countless other electronic icons went shopping for their equipment. The duo purchased a secondhand ARP 2600 and immediately began experimenting with the synth. They soon realized, however, that they needed more gear to create the music they dreamed of. Before long they had added an ARP sequencer, a Solina String keyboard and an EKO Compurhythm drum computer to their arsenal. Last but not least, they acquired a four track recorder and were ready to commit their music to tape. Without a record label to back them, they pressed up 1000 copies and paid the production costs themselves. Having recorded all the music on the four track machine at home, the pair went to the expense of booking Conny Plank’s studio for the mix. The album was well received and the Swabian wholesaler Jaguar Records stepped in for worldwide distribution pressing another 5000 LPs. Japan proved to be a particularly popular territory, with radio stations picking up on the record. Sadly, Jaguar Records went bankrupt shortly afterwards. Baumann and Koek were disinclined to take on any further financial risk and decided against a follow-up record. The music clearly references the Berlin School: a hypnotic maelstrom of sequencer patterns and swirling tapestries of mostly minor chords, underpinned at times by a computer beat. What really sets the music apart from comparable productions is the subtle influence of Arabian tonality which saw Ata Koek consciously introduce just a hint of Oriental flavour. If Baumann and Koek considered their “modest” equipment to be a hindrance, their music sounded all the better for it. There is a raw, unpolished quality to the tracks, a clarity which draws the listener closer, far more so than the bombastic productions of contemporaries like Tangerine Dream, Klaus Schulze et al."
Label data: "Baumann/Koek is another hitherto undiscovered treasure of German electronic music, the only album by the electronic music pairing of Wolfgang (not Peter!) Baumann and Ata Koek, both from Kempten, Bavaria. It was mixed in Conny Plank's studio and distributed, without a label, by the duo themselves in 1978. The music owes much to the Berlin School: layered sequencer patterns, swirling chord tapestries, a computer beat here and there. Oriental elements or hints thereof add a particular charm to Baumann/Koek, available now for the first time on CD (+vinyl and download)."
"Rumours persist that Peter Baumann of Tangerine Dream is behind the Baumann/Koek project. Indeed, the music might bear a certain resemblance and the song entitled “TD-Mem” might be seen as a clue. But the rumour is just that, a rumour, with no bearing on the truth. In actual fact, Baumann/Koek can unequivocally be identified as Wolfgang Baumann (no, not the MPS record cover artist), born in Kempten in 1950 and his friend Ata Koek (Köktürk, to be precise), born in Istanbul in 1956. Wolfgang Baumann was 15 years old when he learned to play the electric organ. Some ten years later, he had grown tired of the limited range of sounds the instrument offered and he sold it on the spot. Wolfgang and his friend Ata were determined to explore new tones and musical structures— with a synthesizer. Together, they made the trip from Kempten to Bonn with the singular aim of visiting the legendary Synthesizerstudio Bonn, the very same store where Kraftwerk and countless other electronic icons went shopping for their equipment. The duo purchased a secondhand ARP 2600 and immediately began experimenting with the synth. They soon realized, however, that they needed more gear to create the music they dreamed of. Before long they had added an ARP sequencer, a Solina String keyboard and an EKO Compurhythm drum computer to their arsenal. Last but not least, they acquired a four track recorder and were ready to commit their music to tape. Without a record label to back them, they pressed up 1000 copies and paid the production costs themselves. Having recorded all the music on the four track machine at home, the pair went to the expense of booking Conny Plank’s studio for the mix. The album was well received and the Swabian wholesaler Jaguar Records stepped in for worldwide distribution pressing another 5000 LPs. Japan proved to be a particularly popular territory, with radio stations picking up on the record. Sadly, Jaguar Records went bankrupt shortly afterwards. Baumann and Koek were disinclined to take on any further financial risk and decided against a follow-up record. The music clearly references the Berlin School: a hypnotic maelstrom of sequencer patterns and swirling tapestries of mostly minor chords, underpinned at times by a computer beat. What really sets the music apart from comparable productions is the subtle influence of Arabian tonality which saw Ata Koek consciously introduce just a hint of Oriental flavour. If Baumann and Koek considered their “modest” equipment to be a hindrance, their music sounded all the better for it. There is a raw, unpolished quality to the tracks, a clarity which draws the listener closer, far more so than the bombastic productions of contemporaries like Tangerine Dream, Klaus Schulze et al."
Saturday, October 17, 2015
News: Group 1850's Polyandri to be reissued on LP by Pseudonym
Yea. LP. Pseudonym continues the disturbing trend of reissuing albums on LP without the CD (grumpy morning for the CDRWL Hans?). Ugh. At least throw a factory pressed CD in there similar to Twink, Isaiah, Klockwerk Orange, etc...! So like Kvartetten Som Sprangde, Resan (both on Subliminal Sounds), and Mad Curry (Wah Wah), we have another high priority album being ignored for the CD market. That should keep the pirates active at least (GREAT!). Look, if you follow the UMR, you guys all know I love LPs. I collect them to this day, and I will likely buy this just to hear what they do with the sound, and to see the liner notes. I have the original LP as well, and at this point in my life, multiple copies of one album are OK with me. But it sure would be nice to get a legit CD too (I still have the absolutely awful Twilight Tone boot that comes from a scratchy record). Maybe they will follow through with the CD at a later date. We certainly hope so.
Label advertises: "At last reissued on LP (180-GRAM AUDIOPHILE VINYL!), it's the third and final studio album from Holland's ultimate psych legends GROUP 1850! 'Polyandri' was originally issued in 1974, when psychedelic rock had already lost its momentum. That unfortunate timing must be the only reason why this is a somewhat overlooked album, because the music itself is absolutely killer! On offer is a wild fusion of psychedelia, jazz-rock and progressive space rock, at many times dominated by band leader Peter Sjardin's home-built keyboard, The Organizer. There are guest appearances from Barry Hay (Golden Earrings) on flute and well known jazz musician Hans Dulfer on sax. The LP comes with remastered sound, a heavy gatefold sleeve boasting restored artwork, rare memorabilia, pix and liner notes by Mike Stax (Ugly Things)."
Label advertises: "At last reissued on LP (180-GRAM AUDIOPHILE VINYL!), it's the third and final studio album from Holland's ultimate psych legends GROUP 1850! 'Polyandri' was originally issued in 1974, when psychedelic rock had already lost its momentum. That unfortunate timing must be the only reason why this is a somewhat overlooked album, because the music itself is absolutely killer! On offer is a wild fusion of psychedelia, jazz-rock and progressive space rock, at many times dominated by band leader Peter Sjardin's home-built keyboard, The Organizer. There are guest appearances from Barry Hay (Golden Earrings) on flute and well known jazz musician Hans Dulfer on sax. The LP comes with remastered sound, a heavy gatefold sleeve boasting restored artwork, rare memorabilia, pix and liner notes by Mike Stax (Ugly Things)."
News: Krautrock box takes OAS concept to new levels of dumb
Oh for crying out loud, really? When the Original Album Series first sprang about, it seemed like a good way to buy a band's discography on the cheap. Nice little cardboard album covers, sometimes good sound, but at a handsome price. It was a great way to catch up on groups like The Who or Jefferson Airplane, that kind of thing. But then they started doing it for groups such as Catherine Ribeiro/Alpes, an artist who deserves much more care to each album. For the common bands, that's already been done, but not for the more obscure artists like Ms. Ribeiro. But if you don't care about such things, at least you are getting many releases from one artist at a cheap price. I guess it's not any crazier than those Progressive Italia boxes, which sadly remains the only way to get those splendid Sensations' Fix albums on CD.
But this Krautrock box is really ridiculous. What a great selection eh? So well thought out. So what do these albums have in common? They're from Germany. Oh, and they were originally on Telefunken. That's it. Musically they couldn't possibly be any more disparate. Everyone gets so carried away with the Krautrock term - but it should have more meaning than just rock from Germany. Well, whatever. All these have been reissued on CD before, and I think most are OOP. I just wanted to vent...
But this Krautrock box is really ridiculous. What a great selection eh? So well thought out. So what do these albums have in common? They're from Germany. Oh, and they were originally on Telefunken. That's it. Musically they couldn't possibly be any more disparate. Everyone gets so carried away with the Krautrock term - but it should have more meaning than just rock from Germany. Well, whatever. All these have been reissued on CD before, and I think most are OOP. I just wanted to vent...
Tuesday, October 13, 2015
News: Shadoks to reissue Blueset from Sweden
I ran across this bit of news while doing my monthly research. However, I wasn't familiar with this 1974 album, and waited until last night to hear it. Our trusty aid YouTube came in handy again, and I heard the album in full. I would have tagged this a Priority None (borderline 3), but it's still a fine piece, and my notes below captures (briefly) my initial experience. Shadoks has confirmed they will be reissuing it both on LP and CD, the latter not always a given with the fine label.
Blueset's album is mostly straight up blues rock, though special mention goes to 'Vibrationer I Folkton'* which sounds like Kebnekaise on a bender. I'll drink to that!
* - It's a 4 part, 13+ minute track, so definitely worthy of mention.
Blueset's album is mostly straight up blues rock, though special mention goes to 'Vibrationer I Folkton'* which sounds like Kebnekaise on a bender. I'll drink to that!
* - It's a 4 part, 13+ minute track, so definitely worthy of mention.
Thursday, September 24, 2015
News: First 9 Catherine Ribeiro albums to be reissued in a box set
Thanks to an anonymous tip on our blog, we learned of this box set coming from Mercury. Details are scant, and it would appear the album has been announced before it was ready to be released. The above scan is the clearest one I could find, and comes from amazon.fr, but the entry has been removed (but captured on cache). The tip pointed to a blurred copy on amazon.de. I could not find any other data, beyond what is obvious on the box cover. This of course would close the book on Ribeiro in the digital world. I'm still hoping for individual releases, since I have 4 of the above on CD already (from Mantra in the 90s). Maybe I will ultimately give in. We'll see. This is the second box set from Mercury in recent years, the first one featured albums 2 through 5. Anyway, great news for Ribeiro fans, especially for those of you who do not own any of her CDs prior.
CDRWL contributor Achim informs us: "I just received the new Ribeiro + Alpes box set. This is actually quite nice. It comes in a sturdy box, with the 9 CDs in LP-like cardboard sleeves (as in the 4xCD box released in 2012) and also has a booklet with biographical notes and some photos. All in all great sound; no bonus material. I bought it from amazon.fr for 30 Euros."
Last update: October 27, 2015
CDRWL contributor Achim informs us: "I just received the new Ribeiro + Alpes box set. This is actually quite nice. It comes in a sturdy box, with the 9 CDs in LP-like cardboard sleeves (as in the 4xCD box released in 2012) and also has a booklet with biographical notes and some photos. All in all great sound; no bonus material. I bought it from amazon.fr for 30 Euros."
Last update: October 27, 2015
Sunday, August 23, 2015
News: Berits Halsband to come out on CD soon from Musicbazz!!!
Wow! Not sure we can receive better news than this. With Avalanche finally getting reissued, we are down to the very last of my Gnosis 14's not to be on CD. And Berits Halsband is one of them. One of my favorite discoveries from the early 2000's period, and still a great unknown. My full review can be found on the UMR site
Musicbazz is the Greek label responsible for the fine Pete and Royce LP and CD released a couple of years back. They are also the parent label to our good friend Spacefreak and his label Cosmic Eye. Thanks to him and reader Gal for the notification of this great news. The album will be reissued in both LP and CD formats.
One more great one reissued! YEA!
Musicbazz is the Greek label responsible for the fine Pete and Royce LP and CD released a couple of years back. They are also the parent label to our good friend Spacefreak and his label Cosmic Eye. Thanks to him and reader Gal for the notification of this great news. The album will be reissued in both LP and CD formats.
One more great one reissued! YEA!
Tuesday, July 28, 2015
News: Finchley Boys "Everlasting Tributes" to come out on CD this year!
Recently we featured the Finchley Boys via the CD-R revisit project. A comment appeared on that post this morning from band member Garrett Oostdyck, who brought us this good news: "We really do plan on having a CD release this year (2015) There will be
a few never heard tracks. I know the bootleggers don't have them yet
as the tapes have been lost for 46 years."
Great news for hard rock and heavy blues fans! I certainly will be picking one up when available.
Great news for hard rock and heavy blues fans! I certainly will be picking one up when available.
Monday, June 22, 2015
News: Garden of Delights reissues Embryo - Live!
While we had been anticipating the Sunbirds reissue, Garden of Delights did manage to sneak this one in on us. It's been on their Coming Soon list for many years, but we had no indication of an imminent reissue. This CD is most welcome, and I believe this represents the last Embryo "proper" LP to be reissued on CD. Of course, they have tons of archived live material that remains in the vaults, and GoD has promised us at least one of those from their late 70s' jazz funk fusion heyday. Note that there's a lengthy bonus track as well!
Label says: "Neatly recorded in February 1976, it was released on LP in 1977 (April 0003), but has not yet appeared as CD. The gig had taken place in a town near Munich. The album features the jazz-rock typical of Embryo, influenced by ethnic music, with scarce vocals and some unusual instruments like marimba, dilruba, oud, and nagasuram. Christian Burchard and Roman Bunka wrote most of the songs together. Only 'The orange man' was written by Charlie Mariano. The long CD bonus track 'Just arrived' was recorded in Northern Italy on March 6th, 1976, by the very same Embryo line-up and was as yet unreleased. The cover was then designed by Roman Bunka and was used for the CD without any changes."
Label says: "Neatly recorded in February 1976, it was released on LP in 1977 (April 0003), but has not yet appeared as CD. The gig had taken place in a town near Munich. The album features the jazz-rock typical of Embryo, influenced by ethnic music, with scarce vocals and some unusual instruments like marimba, dilruba, oud, and nagasuram. Christian Burchard and Roman Bunka wrote most of the songs together. Only 'The orange man' was written by Charlie Mariano. The long CD bonus track 'Just arrived' was recorded in Northern Italy on March 6th, 1976, by the very same Embryo line-up and was as yet unreleased. The cover was then designed by Roman Bunka and was used for the CD without any changes."
News: Garden of Delights reissues Sunbirds - Zagara!
We've talked about this a couple of times in the last few years, and now the CD from GoD has been officially released! Includes one bonus track as well. Great news for fans of "Kraut jazz fusion". This is a very worthy album, and I'll buy one as soon as possible. Thanks to reader Gal for the heads up!
Label says: "Fusion from Munich, some smoothly relaxed kind of music with Latin influences. After the first Sunbirds LP from 1971, with Philip Catherine on guitar, the album at hand is the band's second and last one, recorded in 1972 and released in 1973 (Finger 2396101). It is the first CD version, drawn from the master tapes, including the bonus track 'Mbira' which was then recorded during the same session. All of the musicians were masters of their trade. Drummer Klaus Weiss, keyboardist Fritz Pauer and bassists Jimmy Woode and Ron Carter were world-famous even back then, and the others were in no way inferior. The nine artists were so skilled that nearly all recordings were perfect at the first attempt. Unfortunately, the two studio albums should remain the band's only releases. There weren't any Sunbirds gigs for lack of time."
Label says: "Fusion from Munich, some smoothly relaxed kind of music with Latin influences. After the first Sunbirds LP from 1971, with Philip Catherine on guitar, the album at hand is the band's second and last one, recorded in 1972 and released in 1973 (Finger 2396101). It is the first CD version, drawn from the master tapes, including the bonus track 'Mbira' which was then recorded during the same session. All of the musicians were masters of their trade. Drummer Klaus Weiss, keyboardist Fritz Pauer and bassists Jimmy Woode and Ron Carter were world-famous even back then, and the others were in no way inferior. The nine artists were so skilled that nearly all recordings were perfect at the first attempt. Unfortunately, the two studio albums should remain the band's only releases. There weren't any Sunbirds gigs for lack of time."
Tuesday, June 16, 2015
News: Lion to release Laurence Vanay's mythical 4th and 5th albums in the Fall! + Many other announcements (Wapassou+)
We just heard from Vincent at Lion and he shared the great news. These two* La Petite Fenêtre and Les Soleils de la Vie have been on their Coming Soon list for some time, but now it has become reality. As you all know, we're big fans of Vanay, and I just hope these latter albums are at (or near) the same level as the breathtaking Galaxies or Evening Colours. Obviously we haven't heard them to date, but this will be for certain one of our most anticipated albums of the year. They will be reissued on both CD and LP and each album will feature many bonus tracks. I don't have covers to share at this point, but will post them as soon as I can.
*It can be argued that these are the 3rd and 4th albums, as many discount Magic Slows as a true Vanay album.
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In addition to these two albums, Lion will also issue a double LP version of Galaxies. The second LP will include one side of the Glaciers Interdits soundtrack (which we have also not heard) plus alternate takes (CD bonus tracks) on the other side. Sounds like a worthy purchase!
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One other major announcement is that Lion will be reissuing the first Wapassou album on LP and CD. And Vincent says this is the best sounding version for certain! If you've read my UMR blog, I've waxed on about how great this album is. I already own two CDs (Musea & Belle Antique) and one LP (Omega Studios). I think I'll add one more LP to that stack!
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There is also plenty more coming out from the Lion camp, much of it falling on, our outside, the margins of the CDRWL, but noteworthy all the same - especially for psychedelic fans. Some of these are out already, some are on the way:
July - Second of July. Digipak CD + 12 page booklet. These are the demos of the legendary July album (pre Jade Warrior).
Nihilist Spasm Band. CD + 32 page booklet. Free improv from Canada circa 1968.
Tin House - s/t. LP + EP.
Wilson McKinley - Spirit of Elijah. LP
Wilson McKinley - Heaven's Going to be a Blast. LP
Ray Pierle (McKay) - Time and Money + Rhythm of the Highway. Both albums on one CD.
Michael Angelo - s/t + Sorcerer's Dream + Nuts (as Michael Nitro). 2 CD set of all 3 albums. +28 page booklet. All for the price of one CD!
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Wow! We're fortunate there are still reissue labels like Lion fighting the good fight. Please support them when and where you can!
*It can be argued that these are the 3rd and 4th albums, as many discount Magic Slows as a true Vanay album.
---
In addition to these two albums, Lion will also issue a double LP version of Galaxies. The second LP will include one side of the Glaciers Interdits soundtrack (which we have also not heard) plus alternate takes (CD bonus tracks) on the other side. Sounds like a worthy purchase!
---
One other major announcement is that Lion will be reissuing the first Wapassou album on LP and CD. And Vincent says this is the best sounding version for certain! If you've read my UMR blog, I've waxed on about how great this album is. I already own two CDs (Musea & Belle Antique) and one LP (Omega Studios). I think I'll add one more LP to that stack!
----
There is also plenty more coming out from the Lion camp, much of it falling on, our outside, the margins of the CDRWL, but noteworthy all the same - especially for psychedelic fans. Some of these are out already, some are on the way:
July - Second of July. Digipak CD + 12 page booklet. These are the demos of the legendary July album (pre Jade Warrior).
Nihilist Spasm Band. CD + 32 page booklet. Free improv from Canada circa 1968.
Tin House - s/t. LP + EP.
Wilson McKinley - Spirit of Elijah. LP
Wilson McKinley - Heaven's Going to be a Blast. LP
Ray Pierle (McKay) - Time and Money + Rhythm of the Highway. Both albums on one CD.
Michael Angelo - s/t + Sorcerer's Dream + Nuts (as Michael Nitro). 2 CD set of all 3 albums. +28 page booklet. All for the price of one CD!
----
Wow! We're fortunate there are still reissue labels like Lion fighting the good fight. Please support them when and where you can!
Monday, June 15, 2015
News: Akira Ishikawa & His Count Buffalos "African Rock " to be reissued in July!
Well, that was fast! Perhaps a new record for the CDRWL. We just featured this title back in April, thanks to the AC.
Special thanks goes to reader Bacoso (who runs the popular Orgy in Rhythm blog), who tipped us off that African Rock will be reissued July 29th! The Instagram feed he sent the blog was in Kanji, but it translates to: "[Deep Jazz Reality New] Finally on CD! Ishikawa Akira and count Buffalo's took a shot in the 1971 "African Rock". Suzuki Hiromasa, Kimio Mizutani, it is a masterpiece of Tribal Jazz rock participated Muraoka Ken-ra. July 29 release." A little bit of translation issues there at the end, but the main point is presented.
Special thanks goes to reader Bacoso (who runs the popular Orgy in Rhythm blog), who tipped us off that African Rock will be reissued July 29th! The Instagram feed he sent the blog was in Kanji, but it translates to: "[Deep Jazz Reality New] Finally on CD! Ishikawa Akira and count Buffalo's took a shot in the 1971 "African Rock". Suzuki Hiromasa, Kimio Mizutani, it is a masterpiece of Tribal Jazz rock participated Muraoka Ken-ra. July 29 release." A little bit of translation issues there at the end, but the main point is presented.
Friday, June 12, 2015
News: Michal Urbaniak's Atma has been reissued. Plus more!
Some of you may recall our posting at the beginning of the year regarding Urbaniak's reissue of Inactin. Well yesterday we learned, directly from inside the Urbaniak camp, that his most highly rated fusion album Atma has just been reissued! And on WEA (Warner Bros.) Poland, so it should be easy to source as well! I found copies on Amazon (US) this morning.
In addition to this great news, we were also told: "There is also new (2014) pressing of "Fusion III" and "Body English" - first one also contains a booklet (first pressing on UBX label didn't have it), second just short new notes inside digipack." and "There will be a CD version of "Parathypus B"! Maybe this Q3-Q4 this year? We've got also extended material from his concert album "Constellation In Concert". But I think it will wait until next year, as in 2015 the priority are LP reissues. The LPs will be by "Atma" (1974), UrbSymphony (1994) and probably another 90s album. But I guess when the "Parathypus" will be released, it will receive a CD and LP version."
So exciting news all around for fusion fans!
In addition to this great news, we were also told: "There is also new (2014) pressing of "Fusion III" and "Body English" - first one also contains a booklet (first pressing on UBX label didn't have it), second just short new notes inside digipack." and "There will be a CD version of "Parathypus B"! Maybe this Q3-Q4 this year? We've got also extended material from his concert album "Constellation In Concert". But I think it will wait until next year, as in 2015 the priority are LP reissues. The LPs will be by "Atma" (1974), UrbSymphony (1994) and probably another 90s album. But I guess when the "Parathypus" will be released, it will receive a CD and LP version."
So exciting news all around for fusion fans!
Tuesday, May 5, 2015
News: Collusion to be reissued on Audio Archives
I'll be honest and state upfront that a lot of these Audio Archives discoveries of the past few years have been disappointing. I actually thought this was another archival release, but it appears to have been released in 1971 on the SRT label. Guessing SRT to be some sort of custom pressing plant, similar to our own RPC. In any case, I couldn't find any evidence of the original vinyl, have never seen one for sale, and it hasn't been on ebay before. Which means little of course, just data points.
Having said all of that with a pall of doom, I do have to admit this album looks to be intriguing. It certainly reads that way in any case. We'll keep an open mind, and hope to be pleasantly surprised.
Label says: "Reissued on compact disc, this is a genuine prog rock obscurity from 1971, originally released in a tiny run on the custom SRT label. Collusion was a Dagenham-based six piece with twin guitars and interwoven male/female vocals as the main ingredients. Expect hard-edged prog-rock with tasty folk and jazz elements. This engaging CD features seven original tracks with the stunning 'Bluebirds' and the epic 'Sweetbread Line' as the undisputed highlights. The CD is presented with a special poster sleeve offering rare pics and memorabilia. There also are extensive sleeve notes and a band history by singer Tony Davison, plus an additional comment by their manager and esteemed promoter Darrol Edwards."
Having said all of that with a pall of doom, I do have to admit this album looks to be intriguing. It certainly reads that way in any case. We'll keep an open mind, and hope to be pleasantly surprised.
Label says: "Reissued on compact disc, this is a genuine prog rock obscurity from 1971, originally released in a tiny run on the custom SRT label. Collusion was a Dagenham-based six piece with twin guitars and interwoven male/female vocals as the main ingredients. Expect hard-edged prog-rock with tasty folk and jazz elements. This engaging CD features seven original tracks with the stunning 'Bluebirds' and the epic 'Sweetbread Line' as the undisputed highlights. The CD is presented with a special poster sleeve offering rare pics and memorabilia. There also are extensive sleeve notes and a band history by singer Tony Davison, plus an additional comment by their manager and esteemed promoter Darrol Edwards."
Friday, May 1, 2015
News: Wolfgang Dauner Group's Rischkas Soul coming soon on Long Hair!
Big news today! The great German reissue label Long Hair is releasing the much wanted Rischkas Soul on CD and LP soon. I was wondering if Dauner would ever get to his (IMO) best title. Now we know he will!
Label says: "For the first time on CD and Vinyl reissue Dauners famous release 'Rischkas Soul'! Recorded in November, 1969 and first released as a so called private pressing the recordings had a second release nearly three years later on famous German label Brain (1016, 1972). Dauner with his strong sidemen Sigi Schwab, guitar and Eberhard Weber, bass and cello with two drummers (Braceful and Wittich) played cool jazz fusion with fluiding organ play from Dauner, sometimes heavy, sometimes dreamy and psychedelic guitar eruptions from master of guitar Sigi Schwab, tuneful and melodic and mostly straight on rhythms. CD and LP come with informative booklet/ insert and liner notes from Wolfgang Dauner himself. A must have!"
And since I have that Brain label LP copy, I'll probably just get the CD this time. But if you don't have the LP, it's worth getting for the gatefold artwork!
Label says: "For the first time on CD and Vinyl reissue Dauners famous release 'Rischkas Soul'! Recorded in November, 1969 and first released as a so called private pressing the recordings had a second release nearly three years later on famous German label Brain (1016, 1972). Dauner with his strong sidemen Sigi Schwab, guitar and Eberhard Weber, bass and cello with two drummers (Braceful and Wittich) played cool jazz fusion with fluiding organ play from Dauner, sometimes heavy, sometimes dreamy and psychedelic guitar eruptions from master of guitar Sigi Schwab, tuneful and melodic and mostly straight on rhythms. CD and LP come with informative booklet/ insert and liner notes from Wolfgang Dauner himself. A must have!"
And since I have that Brain label LP copy, I'll probably just get the CD this time. But if you don't have the LP, it's worth getting for the gatefold artwork!
Sunday, April 26, 2015
News: Zanov's In Course of Time now on CD!
Some of you will remember at the end of last year our announcement that Zanov was looking into reissuing his back catalog. And he was looking for Facebook Likes. I guess he got enough of them, because we have our first CD! "In Course of Time" is his 3rd and final album from the original run. Furthering the good news, the Dutch label Groove Unlimited has placed it on their imprint. Given that they are the most respected and largest of the electronic music labels/mail order houses, this can only be a good thing for Zanov, as hopefully he'll be encouraged to reissue the first two albums as well. Thanks to Gnosis Mike for the tip on this!
Saturday, April 25, 2015
News: Charlies archival Jail Sessions to be reissued by Shadoks in May
Shadoks continues to mine the great late 60s/early 70s Finnish hard rock / progressive band Charlies. This title, as per Shadoks protocol, had been released on LP already earlier in the year. This particular album is getting a fast track to CD without the usual 2 to 3 year waiting period. It appears to contain 4 additional tracks not found on the LP. I haven't heard the album yet, and didn't find any reliable reviews, but the label hype sheet does sound intriguing for certain: "After 'Musiikkia Elokuvasta Julisteiden Liimaajat' and 'Buttocks' here
we have our 3rd release by the great Finnish band CHARLIES. This album
was recorded in 1969 and 1970 in Charlies rehearsal room, an 'drunk
tank' at the local jail, since Kari Lehtinen's father (later on known
simply by the nickname ”Pitkä”) was the local police officer, so the
band could use this room for playing and recording. After Charlies got
the 1969 Julisteiden Liimaajat album done, and even though they got a
lot of positive feedback from it, they never thought the final product
sounded right. Pitkä (bass) and Eero (guitars) spent a lot of time
considering how to deliver a much harder sounding album as a follow-up,
representing the true Charlies spirit. They got the chance to make a new
album, one that would be released by the famous Love Records label. The
result again was only as good as the budget resources provided.
Although in the end, the album Buttocks gained a good, hard reputation,
they were never content with it. One night Pitkä said: ”Eero, we should have made our album from your
tapes, the result would have been much different.” So the recording
your hear now are those tapes the band was very happy with. Much heavier
in sound, amazing electric guitar, 100% pure heavy underground sound.
After 45 years this Charlies album comes out as the band wanted it to
sound like with many alternative versions of songs from the Buttocks
album and unknown songs as well. 100% pure Charlies!"
Wednesday, April 22, 2015
News: Fractal to reissue 3rd and 4th Sonorhc albums
Thanks to reader Gal, we learned this morning of this imminent CD reissue that is due on April 27. Amazonia is an archival album, released here for the first time. Both of these albums will be presented on one CD.
Label says: "Good news from the Sonorhc’s « space shuttle » ! After the two first albums « Purf » (1972) and « Outrelande » (1982) released last year, Fractal records deliver now the second volume of the expedition with the third and the fourth album of the band : « Portes d’Orient (East Gates) » (1984) and « Amazonia » (1985) again on CD, perfectly remastered and in the same concept « two albums in one ».
As a band who claim to be « without leader », Sonorhc is a collective with variable line-up as shows this reissue : four musicians (Youval Micenmacher, Laurent Cokelaere, Pierre Buffenoir, Jean-François Gaël) on « Portes d’Orient » and only two for « Amazonia » despite this one could be saw as almost entirely composed by Jean-François Gaël alone, inevitably one the of major force in their ranks. Jean-François Gaël is born in Paris in 1938. He worked as guitarist, composer or arranger with : Hélène Martin, Francesca Solleville, Marc Ogeret, Marcel Mouloudji, Jean Ferrat, Colette Magny, Catherine Sauvage, Henri Gougaud, Antoine Tomé, Mama Béa and with poets : Jacques Prévert, Louis Aragon, Eugène Guillevic, René Char, Pierre Seghers... Theses collaborations will find success five times for the «Grand Prix du Disque de l’Académie Charles Cros» award. He worked at the GRM in 1965, at the GMEB in Bourges in 1985 and at the IRCAM in 1995. He now composed film soundtrack for cinema and TV in his own studio.
So, here is finally reissued and for the first time after thirty years (yeah !) two sounds library records. Title name for each will transport you immediately in the right place: don’t need to move, the space shuttle travel for you ! With 32 tracks in total and with the adequate instrumentation for both albums : « Portes d’Orient » is a stunning meditative ethnic musical trip for guitars, bass, drum, percussions, moog, duduk, flute, guembri, arghoul, woodblock, hurdy gurdy… Overall it reminds the famous Agitation Free first album « Malesch » without the « rock » side but adding the « spiritual » side of Peter Michael Hamel works. « Portes d’Orient » is a very scarce album nowadays and almost impossible to find now in original vinyl LP. « Amazonia » use more synths but also many others ethnics instruments making this one a relaxing and melodic album in a reverie jungle mood. Jean-François Gaël done three trips in the Wayanas tribe in Amazonia and he also worked at that time for the french serie TV « Carnets de l’Aventure » and then brings together all his « amazonia » themes for this album. The patterns are diverses and united, going from Bernard Parmegiani’s electroacoustic side (« Passoula ») to Francis Bebey’s « psychedelic » sanza (« Sanza Sun »), Jorge Reyes’s ambiant ritual (« A Ouanary ») or Steve Roach’s tribal works (« Pakira »)… Two hidden lost gems made in France finally dig up ! Sonorhc go back in time (the space shuttle show you the correct sense of the reading : from the right to the left) and explore the consciousness !
NB :
- (1) : « Portes d’Orient » from 1984, is the real third album of the GROUP Sonorhc, and it should be NOT credited only to the duo : « Jean François Gaël - Pierre Buffenoir » (it’s an error) : there were no artists name printed indeed on the original cover album, but the Sonorhc logo appears well on the camel saddle in the drawing made by Jean Pierre Lamerand at that time.
« Amazonia » is a complete unreleased album recorded in 1985, never published before, and again with a front cover made again and at that time (!) by Jean-Pierre Lamerand.
- (2) : The album « K’an » (1993) became in that way the fifth album of Sonorhc.
Monday, April 20, 2015
News: Two jazz titles of interest: Caldera - Dreamer / Lloyd McNeill - Tanner Suite now on CD
Gnosis Mike informed me a few weeks ago of the Caldera, and I'm just now getting around to it. We're both fans of the Latin jazz rock / funk / pop ensemble from New York. I even enjoy their more commercially oriented Earth Wind and Fire styled albums (especially on Sky Islands). Dreamer is considered by many as one of their best, if not the best, despite being their 4th and final album. It's the only one I haven't heard to date. The CD is pressed by Capitol of Japan, but is currently available at a domestic price (here in the States anyway). According to the various discography sites, they had also pressed a CD of this title back in 1990, but it was rare as hen's teeth, I'm sure, before this repress.
The second scan shows Lloyd McNeill, an artist that I've done a poor job of covering in the past. Not sure why, as I'm a huge fan of the jazz flautist, who plays with an incredible spiritual passion. Though truth be told, the music is on the margins of what we cover here. Tanner Suite is definitely not the place to start though. It's more sparse, and academic as it were. I do highly recommend the other two "Asha" releases that have already been reissued in the last 5 years: Asha 1 (1969) and especially Asha 3: Washington Suite (1970). These CDs on Universal Sound are with direct involvement of McNeill, and are well worth exploring. McNeill returned in the mid 70s with 3 fine flute jazz albums, slightly updated for the times (though McNeill was always his own person with his own sound), and those remain without a CD reissue. Ultimately I'll give them a feature here on the CDRWL.
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