Crow, England

Live at the Oyster Stores. 1992 private cassette
Medicine Wheel. 1992 private cassette
The Tides of Apsaroke. 1993 private cassette

As we are in the midst of the unknown UK festival psych scene of the 1980s and early 90s, I'm happy to announce what may be the absolute best group I've heard in the entire genre: Crow. 

Holy moly! This is the good stuff right here. No pussyfooting around with electronica or reggae. Just hardcore space rock, in high flight mode most of the time, with loads of effects applied to the guitar. The guitarist plays not only fast solos, but a multitude of rhythm wah-wah that drives the music forward in an exciting way, with plenty of meter and thematic shifts to keep you guessing all the way through. There are sparse vocals, generally applied to add a trance-like effect and do not deter or become the centerpiece at any time. There are no keyboards to speak of, so the guitar and bass have the responsibility for all the tones and atmosphere - and they do a fantastic job at just that.

Medicine Wheel is the more psychedelic of the two albums, with plenty of tribal drumming and freaky guitar sequences with intense build-ups and actual climax releases. Both albums add didgeridoo to great effect. The Tides of Apsaroke ups the ante to a whole new level of intensity. Dare I say the guitar is almost heavy metal? Not a 1992 post-Metallica palm mute method, but rather a 1979 NWOBHM sound, similar to maybe early Saxon or Iron Maiden - but with the sound on sound fuzzy technique like Ed Wynne of Ozric Tentacles. I've never heard anything like it! And what an exciting path for other bands to pursue! There are a few more vocals on this album, and the material is definitely angrier, but no less satisfying for space rock heads. I haven't heard the live album, though the two live "bonus" tracks on Medicine Wheel are pretty rough in the recording department - so hopefully it's better than that would imply. Of the two albums, I prefer the purest Medicine Wheel, but Tides is the more adventurous and also just plain awesome.

So filtering the above, what do we have: Take the heavier Ozric Tentacles tracks like 'Eternal Wheel' and 'Dissolution', mix with the punk angst of Omnia Opera, toss a little pyrotechnic Mandragora jamming, throw in the progressive tendencies of 'White Rhino Tea' Ozric or the obscure band Blim, and add a dash of metal to the guitar sound. Almost sounds like the perfect formula - not sure I could have drawn that one out any better in the playbook.

Crow was awesome, and definitely the best band from the UK psych scene no one's heard of (even besting Blim). 

Priority: 1

7/5/11 (new entry)