Dance of Delight. 1974 archival
Paramount were one of America's unsung labels. They signed some interesting acts, and I don't think any of them did very well from a revenue perspective. Baxter, hailing from New London, Connecticut, were one of their more original bands. Mellotron, Moog synthesizers, Hammond organ, wah wah guitar solos, and some wonderful nutty/unpredictable progressions. And of course, rural singer songwriter pieces in the CSN&Y mold ('Gentle Arms', 'Can't Find the Time'), boogie rock n' roll ('Give it All'), hard rock ('51'), Yes-like progressive ('By the Gates', 'Renaissance Woman'), Polyphony-like progressive (yea, exactly... who knew right?) ('Moonfire II'), and the amalgamation of every style featured here ('Doctor, Doctor', '197 Three'). Wildly inconsistent, but there are some truly inspiring progressions to be found here. Unfortunately no continuity, just like the label itself.
Paramount were one of America's unsung labels. They signed some interesting acts, and I don't think any of them did very well from a revenue perspective. Baxter, hailing from New London, Connecticut, were one of their more original bands. Mellotron, Moog synthesizers, Hammond organ, wah wah guitar solos, and some wonderful nutty/unpredictable progressions. And of course, rural singer songwriter pieces in the CSN&Y mold ('Gentle Arms', 'Can't Find the Time'), boogie rock n' roll ('Give it All'), hard rock ('51'), Yes-like progressive ('By the Gates', 'Renaissance Woman'), Polyphony-like progressive (yea, exactly... who knew right?) ('Moonfire II'), and the amalgamation of every style featured here ('Doctor, Doctor', '197 Three'). Wildly inconsistent, but there are some truly inspiring progressions to be found here. Unfortunately no continuity, just like the label itself.
I haven't heard Dance of Delight to date but it's being touted as far more progressive than their sole release.
Priority: 2
Priority: 2
11/19/09 (new entry)
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