Mads Vinding Group, Denmark

Mads Vinding Group - Danish Design. 1974 Sonet; 1977 Peters International (USA)

There are two solid reasons to chase down this otherwise more typical fusion album: 1) Guitarist Janne Schaffer absolutely blazes on two extraordinary tracks (especially the opener). 2) The really cool album cover. For reason 1), on these two tracks, it sounds more like the Dutch hard hitting instrumental progressive rock of Finch, Bonfire, and Scope. 

Priority: 3

1/18/11 (new entry)

Airlord, New Zealand

Clockwork Revenge. 1977 Infiniti

Airlord are one of the more original late 70s progressive bands. From the unlikely country of New Zealand, Airlord emerged with a pretty crazy bent on classic era Genesis. The vocals are most reminiscent of Gabriel, whereas the guitars play in a more hard rock style, with an occasional blazing solo. The keys (organ, synthesizer, Mellotron) and compositions aren't as elaborate or as complex as classic Genesis, but Clockwork Revenge is a refreshing take on a classic idea. 

Priority: 2

1/14/11 (new entry)

Ys, France

Madame la Frontiere. 1976 Philips

Breton folk rock similar to Malicorne with a couple of progressive rock instrumentals thrown in for good measure. Violin and guitar lead the instrumental work, while vocals and traditional melodies dominate the songwriting. One of the better albums in the style and also features a beautiful crochet cover. 

Priority: 3

1/13/11 (new entry)

Schakta, Switzerland

Tales. 1980 G+F Records

Not as fully developed as most of the private press albums from Switzerland during this time (i.e. Eloiteron, Nautilus, Sicher). Thin sounding and amateurish, with poorly executed vocals. It's a sincere attempt with a few good ideas, but this is strictly hardcore fan material, and not likely to garner much interest from those who haven't heard it. Reminds me of some of the embryonic Japanese sympho groups from the early 80s like Picareque of Bremen, Orpheus, Jankees, etc.... Love the period cover, a great example of cheesy amateurism that works. Thanks to Konny of Black Rills, who sent me a cassette of this title many years ago.

Priority: none

1/11/11 (new entry)

Quasar, Australia

Nebular Trajectory. 1979 ACR (Australian Creative Recording)
Man Coda. 1981 Aija (custom pressed by EMI - compositions are from 1975-1980)

Here's a couple of albums I picked up in the early 2000s on ebay. I wasn't even aware of their existence until then. My recollection was these were space rock albums. In revisiting these LPs in succession, it's obvious that's not the case at all.

In reality they are a fusion band with spacious avant-garde textures highlighted by Frippian sustained guitar leads and plenty of fuzz bass. So a combination of Mahavishnu Orchestra and Starless era King Crimson. And at that point, it hit me who these guys remind me of: SBB. Especially around the time of Nowy Horizont. And when you hear the lengthy fuzz bass solo, that solidifies the comparison - especially when you consider the debut by SBB. 

Man Coda is a bit looser in structure, following on from the title track of Nebular Trajectory which closed that album. As such, it's not quite as excellent as the debut, but both are still highly recommended. 

Priority: 2

1/10/11 (new entry)

Project Tyme, USA-Iowa

Clockwyze. 1985 private

A four piece from Iowa, but pressed in Dallas. As such, just like the Ojas album we posted a few days ago, this was a buck bin album in my neck of the woods through to the early 90s. Lead by double neck guitarist Scot Jon Schwestka (mullet is intact and functioning), Project Tyme are mid-80's all the way, with electric drums and warm bass tones. Early 80's Rush seems to be the main inspiration for the compositions. What keeps this from being a laugher, is the guitar work which is quite good actually. Expressive, skillful, energetic and no shred to be found (a common problem in those days). Once you get past the first two tracks, the rest is quite good as it's pretty much all instrumental from there on out. The production is excellent considering it's a homemade job. Neat cover art as well.

Priority: 3

1/8/11 (new entry)

Prisma, Netherlands

Prisma. 1980 private

On the surface, Prisma were a commercial rock band typical of the era. But there's a depth to the musicianship and quality of compositions that belies its superficial tendencies. With that in mind, I'm most reminded of those Canadian FM staples Saga, or perhaps the obscure Indiana group Stencil Forest. Even a slight nod to the great Kestrel, especially in the piano work. Memorable music and a group that probably should've hit the big time with the right breaks. Original LP features a nice die cut triangle cover, supposedly representing a (I guess) prism. 

Priority: 3

1/7/11 (new entry)

Laurent Petitgirard, France

Laurent Petitgirard - Suite Epique. 1972 LAlberti

One of the more interesting instrumental rock albums from early 1970s France is Pop Instrumental de France (issued by Vadim), which was a pseudonym for Laurent Petitgirard. This album represents the follow-up. Perhaps a little less "Le Fun GoGo Pop" and a bit more towards serious jazz rock with classical overtones. For soundtrack fans, Petitgirard is a household name, and he's still scoring films and concertos all these many years later. This is a lovely set of instrumental tunes, perfect for that spring afternoon drive on a winding two lane trek through the mountains. 

Priority: 3

***Reissued on LP by Superfly (2021)

1/6/11 (new entry)

Omnibus, USA-New Jersey

Omnibus. 1970 United Artists

---1/5/11

Omnibus were a band from New Jersey with a strong affinity for the Doors. Perhaps given the later date, Omnibus were more aggressive than Morrison and company, and the organ of choice is the Hammond (instead of a Vox Continental). Plenty of psychedelic fuzz guitar as well. Vocalist does a nice job of emulating Jim Morrison's sonorous tone. File next to the first Dragonwyck album as a good example of post-Doors heavy rock. 

---6/15/23 

Yep - not much to add there. The fuzz guitar is really stinging which is probably the largest separator from the Doors. Another one of those American albums that came around in 1970, about one year too late for its audience. 

Priority: 2

***Reissued on LP by Wah Wah (2018)

1/5/11 (new entry); 6/15/23 (update)

Ojas, USA-Oklahoma

Seven Levels of Man. 1978 private; 1979 Unity

We recently posted on the Earthstar's Salterbarty Tales album, and that reminded me of this title, an electronic oriented album I owned years ago. Since I was based in Dallas-Ft.Worth, and Ojas were just 3-4 hours north in Oklahoma City, this album had pretty good distribution amongst the used record stores in my area (the Unity release). That is to say, it was a regular $1 bin special in the late 1980s and early 90s. These are the albums I keep forgetting to add on here - but they do need inclusion. For fans of sequencer based electronics who enjoy the addition of some acoustic work, Ojas comes recommended. 

Priority: none

1/4/11 (new entry)

Jean-Pierre Massiera & Bernard Torelli, France

Jean-Pierre Massiera & Bernard Torelli - Turn Radio On. 1976 Marcy Music

Well here he is again. Mr. Massiera, the king of arcane underground music. You never know what you'll get with a JP Massiera album, but rest assured it will contain music no one else was doing at the time. He seemed to be the original artist with a keen eye for the ironic. In fact, I think the entire post 1990 Japanese pop scene could be described as similar, whether one was actually clued in on the joke or not. Jean-Pierre Massiera is the original post modernist hipster! Here he joins Mr. Torelli (not sure what his role is, since I've never actually seen an original LP, and it may not tell anyway) in a completely nutty, primarily instrumental (with odd voices and narration) album, that is as much indebted to the late 60s grooving horns jetset scene as it is to Studio 54 era disco. Thanks to my friend MP for this one.

Priority: none

1/2/11 (new entry)

Kravetz, Germany

Kravetz. 1972 Vertigo. A second release appeared as 8 Days in April: The Hamburg Scene. 1974 Fontana.

Kravetz is of course Jean-Jacques Kravetz, keyboardist extraordinaire for Frumpy. At its core, this is a blues rock album, not that dissimilar to Frumpy themselves. But there's long sections given for instrumental work, and almost all of it is astounding. Kravetz puts in a fine performance, especially on organ - some of it moves towards the experimental recalling Xhol on Motherf*ckers & Co. Perhaps a distant cousin to the Brian Auger albums of the same time period. Essential Krautrock.

Priority: 2

1/1/11 (new entry)