Memories Never Die. 1981 private
Priority: 2
3/31/25 (new entry)
A listing of obscure 60's, 70's, and 80s prog, psych, jazz fusion, electronic, and hard rock albums that remain largely unknown (generally due to a lack of a reissue).
For many years I was on the worldwide prog rock chase. But never once did I run into anything from Azerbaijan. Now Sevil isn't prog, but rather a very interesting jazz meets funk meets mugham, the latter an indigenous form of modal singing. I haven't been exposed to mugham before, so that sounds fascinating on its own - mostly handled by a female vocalist. To my untrained ears, it sounds Arabic, but of course that's not correct, it's just the similarity of scales and passion. The jazz is cool, mostly piano, bass, and drums in improv mode. The funk is the most interesting aspect to my ears. Mostly this element is brought forth by the wah wah rhythm guitar, sounding quite a bit like Isaac Hayes' 'Theme from Shaft'. You begin to wonder how that even came about - especially in the Brezhnev era of the USSR, not known for his tolerance of Western influence.
Priority: 3
There exists LP and CD reissues, both apparently from vinyl. In this part of the world it's difficult to know what is legit and what isn't. Creating the entry as it certainly fits the purpose of this site.
11/21/23 (review); 3/31/25 (new entry)
If I hadn't personally wandered all over Eastern Europe at various stages from 1990 to 1994, and lived the reality, I could be fooled into thinking the West got the wrong end of the stick. I mean seriously - who wouldn't want to dance at Theo's Beat Bar? I'm so there - a casual foreign observer holding up the darkened wood panel bar, plumes of smoke everywhere, while enjoying multiple steins of awesome nickel beer from a local brewery. And watching hotty frauleins dance wildly in their tight fitting state worker uniforms. Male fantasy overload I'd submit. And who is providing this fanciful soundtrack? Well... none other than Theo Schumann of course! Who is that? I have no idea. Does it matter? Digging those period analog synthesizers, organ, and smooth electric sax. And that rhythm section! Nonstop fills. Miles would approve. This is some groovy ass sh...t. There are some straighter jazz / blues numbers as well.
The photo of the band on the back is priceless. So square, they're hip.
Priority: 3
11/7/23 (review); 3/31/25 (new entry)
Priority: 2
There are many iffy reissues, but nothing solid.
3/30/25 (new entry)
Priority: 2
***Reissued on LP by BCP (2023)
A lot of CD pirate editions out there, but nothing legit like the LP above.
3/30/25 (new entry)
Priority: 2
***Reissued on LP by Out-Sider (2019)
3/29/25 (new entry)
Priority: 2
This is one of those albums I left off the initial list because there was an iffy reissue. We'll leave here until a more definitive reissue arrives.
3/29/25 (new entry)
Priority: 1 (for Street Talk)
These are his early albums. Ratzer was to release many more but I haven't heard them. Not sure they fall into the scope of this list as Finger Prints is marginal as it is.
3/29/25 (new entry)
Priority: 1
3/28/25 (new entry)
***Reissued on LP by Verve (2022). One year after our feature of it.
Priority: 2
5/1/20 (review); 3/28/25 (new entry)
Nova's sole album is a private press instrumental fusion affair from Stockton, California. Sure, it's quite typical of the era, and there's little here to distinguish it from countless others. However the album does feature some excellent guitar and synthesizer work, along with some well written compositions. In a nutshell, it's the usual sunny and tropical fusion, but with plenty of technical prowess. This one's a grower - worth pursuing for sure.
Priority: 3
3/28/25 (new entry)
Stubbs is a new discovery for me, though it appears to have been out in the blogosphere for some years. In any event, this is hardcore mid to late 70s Hatfield and the North / National Health worship. Which means it pushes all the right buttons for me. There's nothing here to indicate it to be a mid 80s recording. It was retro before retro was even imagined! Probably would have been tagged "dated" in its own day. If it even had its own day. More on that below. With The Prime Moving Lumps you get highly melodic and complex instrumental jazz infused progressive rock. Fuzzy keyboards, bass, and guitar lead the way. Music like this never gets tiresome. This is an album that needs to be discovered by the horde.
As far as its provenance goes, that's more of a mystery. RYM claims it to be on cassette, whereas ProgArchives had it once on CD, now they say it's an LP. Online you might find what looks like a CD, but almost assuredly it's a CD-R mockup. It's not in Discogs at all (as of 3/27/25), and Popsike says there's no history of a sale on ebay. My best guess here - and I've talked about this before - is that Stubbs were part of the tape trading culture of Japan in the 80s and early 90s. It was not uncommon for newly recorded material - live or studio - to be passed around via cassette. These were not official releases, but were meant to gain the artist exposure. For example, Happy Family was well known via this method long before their first official CD arrived on Cuneiform (and even before their one cassette). Perhaps it does exist in physical form already - but it sure is damn obscure then. Wouldn't be the first time, but for now, I think the theory above holds until proven different.
This is certainly an album worthy of a CD release - or reissue if it turns out that way.
3/27/25 (new entry)
Another one of those acts I had in the main list not but never featured.
Pole was both a label and a random group of musicians lead by a one Paul Putti. It wasn't a band in the traditional sense, but rather various get-together's for the purposes of releasing an album. To add to the confusion, the Rizet / Besombes album was also titled Pole, in the same stylized font. This apparently was not authorized by either gentleman. Same thing happened to Henri Roger. From here, Putti sold his label to the now infamous Tapioca imprint. Putti himself carried on to the porn industry, which might explain things from an ethics standpoint.
This history of Putti and the Pole moniker helps explain how two albums can be so entirely different. The first album from Putti, Kotrill, is an avant garde mess, favored by those who worship at the altar of the NWW list. It holds nothing back in its experimentation, but is very difficult to sit all the way through. But on the follow up Inside the Dream, we are treated to a more atmospheric and pleasant album. One that features fine synthesizer textures and excellent guitar leads. Rizet did help on this album, and he foreshadows his next move with Phillippe Besombes, a far more realized collaboration than Inside the Dream.
Priority: 2 (for Inside the Dream)
3/27/25 (new entry)
Strandgut were a band from Germany who released this one obscure album and then disappeared into the wilds. Their sound is not an uncommon one from the time and place - that of a female vocal led AOR / symphonic progressive rock blend. If you're familiar with bands as diverse as Rebekka, Werwolf, Credemus, Eden, Streetmark, and Epidaurus, then you should know what to expect here. There are six tracks, the four shorter ones possess a commercial feel, though I find Heike Kensy's voice very pleasant. The melodies are well thought out, and the tracks are wonderfully arranged. There are times you hear a band and wonder why they weren't noticed when so many lesser bands did get that undeserved attention. That is Strandgut. Of the six tracks here, only one is in English (despite titling two tracks that way). I find the German lyrics welcoming in this environment. Of course the two longer tracks allow Strandgut to stretch out with some fine organ, synthesizer, and (especially) electric guitar runs. This is not a hardcore prog album by any means. This is for fans who have a tolerance of a commercialized sound, but executed in an innovative way. I think a quality reissue would be well received. Supposedly only a few hundred copies were printed. Given that I'd never even heard of this album until very recently, it would seem to be a believable total.
Priority: 2
3/25/25 (new entry)
This Demian - not to be confused with the Texas band - were from Moline, Illinois, a populous area near Iowa known as the Quad Cities. Rock Star Farm is their sole album and flows similar to a rock opera, and is extremely vocal heavy. There are some nice guitar and organ passages here and there, but it's not really a prog or hard rock album as is often purported. I suppose if they weren't telling some sort of story, one could compare this to the politrock albums of Germany. More from a listening perspective verse the purpose of the album. For whatever reason I was reminded of the Capability Brown albums from England. A very interesting album from the American Heartland, and definitely outside the norm. Worth hearing for certain, though if seeking an original LP, prepare to fork over a large amount of moolah.
Priority: none
3/25/25 (new entry)
Serene's sole album is a type of straightforward rock with light prog embellishments. Typical of the time and place, Serene's album is littered with heavily accented English vocals, when German would have probably suited better. There's some nice Hammond organ work here that contains a wide open and spacious sound. I hear late 70s Novalis as an obvious influence with some nods to Eloy's lesser progressive efforts. A harmless 40 minutes, but not disturbing.
Priority: none
3/25/25 (new entry)
Apparently this album was sponsored by the Asahi Optical Company for a multi-vision show presented throughout The Netherlands. It's in effect a proto New Age music with flutes, piano, percussion, organ, etc... Like most 70s albums in this field, it's much rawer than the slick gloss that followed throughout the 1980s and beyond. As would be expected, the flow is very much like a soundtrack album. At its best, one can hear the pastoral folk sounds of Quebec (Connivence, Harmonium). At its worst... well it's borderline easy listening music honestly.
Priority: none
3/24/25 (new entry)
***Reissued by Hookfarm in 2016
About a decade ago or so, I'd never even heard of the Hookfarm label. Over time, multiple obscure titles began to pop up on my radar. Himmelexpressen was one of those new names for me. By viewing the title of Latinamerikansk Olie, one can probably surmise this to be a Latin jazz rock album. That pretty much sums it up, though there is some really fiery electric guitar solos throughout - way more than is the norm. Also unusual is the steady use of harmonica, which doesn't fit, but it's surprisingly not as annoying as it may seem. Nice flute as well. The Latin and African rhythms along with the guitar style will recall Santana, though more for the cocktail set. A grower.
Priority: 3
3/24/25 (new entry)
St Erhart, on their one released LP, play a punchy type of jazz fusion, that gets pretty free towards the end. The lead instruments here are saxophone and tuned percussion, with guest trumpet. Not a guitar or keyboard to be found. Despite that, the music still belongs to jazz fusion rather than pure jazz. A good album that will always struggle to find its audience.
Priority: 3
3/19/25 (new entry)
***Reissued by Norsk Album Classics Dec 2022
Solaris play a mix of what is commonly known as West Coast psychedelic mixed with laid back AOR music - and a bit of country rock. A very obscure album, though not necessarily expensive. Misty Morning is something of a disappointment if you're looking for underground progressive oriented sounds. There are, however, a few enjoyable tracks here from a melodic standpoint, though it's more the domain of the American radio mindset. Makes one wonder why these Norwegians were so conservative when they had the opportunity to do whatever they wanted to. As an aside, Ole G Nilssen is one of the members of Solaris, and his solo album World of Dreams is about as rare as Misty Morning.
Priority: none
3/19/25 (new entry)
As noted earlier, I will be publishing new entries of obscurities that have been reissued since 2015.
Nice introspective progressive oriented singer-songwriter album from Quebecois musician Gilles Legault, who did a turn with the communal Connivence. French vocals, acoustic guitar, oboe, cello, and flute are the instrumental colors for the musical painting on display. Occasional rock touches add a nice flair. Easy on the ears overall and a pleasant way to spend 35 minutes or so.
Priority: 3
3/19/25 (new entry)
Nada's sole album is primarily a jazz album, but with plenty of rock fusion elements. In particular the flute driven numbers, as well as an occasional guitar rave-up, will make you turn your head up. Otherwise it's a lot of jazz tone guitar and sax solos. Nothing wrong with that of course, but considering the multitude of bands from this time and place, Nada then comes across as average.
Priority: none
3/18/25 (new entry)
When one sees a name like Clystere, you might be thinking it's a transliteration of Cluster. I don't think Roedelius and Moebius would be too happy about that, no sirree. But as it turns out Clyster (presuming same word) is an archaic word for... enema. How apropos!
Clystere is the duo of Frank Fromy of Shub Niggurath with Kasper Toeplitz, later of Sleaze Art. Their sole cassette release is called Daemoni, Etiam Vera Dicenti, Non Est Credenum, which translates to Demons, Even the Truth, is Not a Believer. Okaaay. What the heck does that even mean? I think it means Noise in Latin.
If your idea of great music is immersing oneself within a skyscraper construction site without earbuds, then do I have a recommendation for you! I cannot fathom where the allure lies here. These guys are experimenting with metal instruments and it's freeform noise. Kids, you too can do this at home. You probably did already - when you were 5.
Clystere's one album is a very obscure cassette. No reissues exist as of 3/12/25.
According to Steve Freeman, Audion reviewed this album in the summer of 1987, so he concludes the cassette was released in 1986 or 1987.
Priority: none
3/12/25 (new entry)