Saturday, October 16, 2010

Octopus 4 ~ France


Confluents. 1969 RCA

Psych exploitation album coming from France (and also released in Canada). Not that far in sound from albums by Popera Cosmic and Jean Le Fennec. Probably closer to the former, though not as groundbreaking or experimental. Some wicked fuzz moments will make you sit up on occasion, but otherwise a pretty harmless 30 minute ride.

Priority: none

10/16/10

News: Rise Above Relics to reissue Steel Mill


Nice to see Lee Dorrian's Rise Above label back in the reissue game. They got off to a great start in 2006, but have since been silent until now.

I don't have Steel Mill in the CDRWL, along with many other British albums that received the CD treatment in the 1990s. The debate is long on what is legit or not, and I'm not getting into any legal arguments, because I don't have all the data. I'll only note the known and accepted boots (for example, Diabolus, Aquila, Hannibal, etc...). But there was a circle of labels starting with Repertoire, and leading to TRC, Green Tree - and later Akarma - that reissued scores of albums in the most basic format as possible. So legality aside, higher quality reissues are needed for many of these albums. It should be noted that later, for their part, Repertoire started to put out much better quality reissues with liner notes and bonus tracks (their initial Brain releases were particularly good).

But as with Long Hair's Nosferatu reissue, if I see an album that is now getting the royal treatment, I'm going to call it out. Esoteric has generally been at the forefront of this quality movement, though they typically are dealing with the bigger names (and we've been noting their more obscure albums here).

So, back to Steel Mill. Rise Above's reissue has been renamed (perhaps wisely so), and features new artwork. Not sure that was needed, but it does help distinguish the product from a marketing perspective. This looks like an excellent reissue, and it will feature no less than 9 bonus tracks. On a music level, I think Steel Mill is a fine example of the UK early 70s progressive hard rock sound, known in many circles as proto-prog - a fave genre of yours truly.

Incidentally, I own the Japanese mini on the Airmail label. Airmail's MO is to just put fancy packing on already existing CDs. So while I do like the pretty (as they say), and will most likely keep it, I absolutely plan on buying the Rise Above version to supplement.

Here's the label info:

Jewels of the Forest (Green eyed God plus)

"Steel Mill are one of the most enigmatic bands from the original British progressive rock boom of the early 70s.Despite scoring a continental hit with their highly acclaimed 1971 debut single Green Eyed God, it took four years before their record company gave the cult classic full-length album of the same title a UK release in 1975. Having been released in Germany in 1972, it still remains a mystery why it took so long to come out in their home country. Of course, by 1975 the band had long since vanished and the music scene had changed dramatically. Nowadays Green Eyed God is a major rarity, having been bootlegged endlessly and has fetched in excess of £1,200 for a mint UK copy. For years, collectors and experts of the period alike, have been perplexed by the lack of knowledge and information regarding this fantastic band. Finally the story is told with this detailed release, containing in-depth sleeves notes, many unseen photographs and a plethora of never heard before tracks."

Release date set for November.

Tuesday, October 12, 2010

Sunday, October 10, 2010

Terraced Garden ~ Canada


Melody and Menace. 1982 Doggerel
Braille. 1984 Doggerel
Within. 1988 Doggerel

UMR review

Priority: 2 (for Melody and Menace)

10/10/10

Lost Peace ~ Switzerland


Lost Peace. 1977 Zytglogge

On the same label as the great Swiss progressive rock band Circus, Lost Peace delivers a stunning set of funky jazz rock instrumentals. Many times the name Placebo is thrown around, no doubt an attempt by record dealers to hype a rather mundane fusion album to higher $$$, but here it is pretty much appropriate. In the same league as the Dutch band Crypto, at the very least. Placebo was more about composition, atmosphere and attitude, rather than chops. Or worse: The dance floor. Lost Peace is similar to Placebo with tight horn rock instrumentals, a laid back attitude - and a lot of style. 

Apparently there's a version out there where Side 2 is from a different artist, so watch out for that.

Priority: 2

10/10/10

Friday, October 8, 2010

Eternité ~ Canada


Les Chants de L'Eternite. 1977 Polydor

Brooding symphonic progressive like Pulsar and maybe Claude Leveillee. Michel Le Francoise is a featured instrumentalist. Some folky commercial oriented music as well.

Priority: none

10/8/10

Tuesday, October 5, 2010

Monday, October 4, 2010

Spektar ~ Croatia


Spektar. 1974 Suzy

A keyboard trio, Spektar's sound vacillates between funk (lots of clavinet), progressive (with organ featured), and straight ahead rock with some marginal vocals. There's definitely some weeds to clear here, but underneath is some prime turf. All eight tracks presented are relatively short. 

Priority: 3

10/4/10

Saturday, October 2, 2010

Oratorium ~ Germany


Oratorium. 1972 ASS 

Oratorium's sole full length album sounds more like a 1968 era American garage psych album, than anything traditionally coming from Germany circa 1972. Excepting the semi-narrated vocals in German of course (apparently containing a Christian message). Somewhat like Ainigma's Diluvium, but a better reference is some of the 45's coming from the German underground as featured on Garden of Delight's Psychedelic Gems series. 'It's Love' has some similarities to the Trikolon album, making it the best track to my ears. Mostly though, it's straightforward rock n' roll songs, with Farfisa organ, slightly fuzzy guitars, echoed piano, and a lot of vocals. A very unusual sound for the German underground, so I can understand the collector appeal.

Priority: none

***Reissued on LP by Tramp Records Apr 7, 2017.

10/2/10

Friday, October 1, 2010

The Medium ~ Canada


The Medium. 1969 Gamma

Pretty adventurous album for the time and place. Band is from Montreal, though their sound is more similar to the Toronto area. Nice fuzz and 1960s era non-Hammond organ. Melodramatic vocals can be a bit much. Last track has similarities to Soft Machine II. Closest band I could compare The Medium to is the Boston based group Listening (on Vanguard).

Priority: 2

10/1/10

Tuesday, September 28, 2010

Sunday, September 26, 2010

Soffgruppen ~ Sweden


Greatest Sits (aka Soffgruppen). 1975 Nacksving

Splendid emotional heavy jazz rock album with trumpet, electric piano, organ and fuzz guitar highlighting the accent instruments. Musically sits somewhere between Ibis (Sweden), Berits Halsband, and the French school of 1970s underground rock.

Priority: 3

9/26/10

Thursday, September 23, 2010

Mendoza ~ Sweden


Mendoza. 1972 CBS

Despite sporting a cover of a very mean looking mustachioed dude with a dangling cigarette and sunglasses - and who would presumably be the band's namesake - Mendoza are in reality a 6 piece band made up of names like Arne Gustafsson, Lennart Palmefors, and Björn Larsson. The evidence is before the court, and methinks these Swedish lads were cashing in on the Santana concept. Ya think? I guess if they went by LARSSON or OLSON it wouldn't have the same impact now would it? No matter, because if this was the second coming of Abraxas, I could use any rationalization I felt like to justify my praise. But, alas, it's not. Though the opening instrumental is a smoker that held quite a bit of promise. For the most part, Mendoza sound like a typical American band, playing typical early 1970s American roots rock. Naturally enough, the guitar work is the highlight, not surprising given the genre.

Priority: none

9/23/10

Tuesday, September 21, 2010

Greg Sneddon ~ Australia


Mind Stroll. 1975 Mushroom

Well done symphonic progressive rock from multi-instrumentalist Sneddon. Nice keyboard work in particular. Reminds me of other Australian artists of the day like Mario Millo (Epic III and leader of Sebastian Hardie) and Chris Neal's Winds of Isis. There's a certain commercial slant found here, which is not uncommon for progressive rock artists operating in Australasia. 

Priority: 3

9/21/10

Monday, September 20, 2010

News: Audio Archives to release Second Sign


I don't know anything about this release, but it certainly looks intriguing. Nice to see Audio Archives back doing what they do best - finding unreleased obscurities. Here is the label's description:

"A previously unreleased progressive rock album recorded at Escape Studios in Kent during the mid 70s. Female vocalist Irene Menasche sounds as impressive as Spirogyra's Barbara Gaskin or Pauline Filby of Narnia, bands to which some of the material is comparable. The tour de force here, 'Golden Age', is a nine minute prog-rock epic, full of stunning harmonies, great guitar solos, wonderful Hammond organ and gripping time changes. Imagine classic Fruupp laced with sublime female vocals and you get the picture. Comes with full band history detailing the interesting tale behind this forgotten gem."

I'll be curious what the reviews say!

6/5/11 update: Well I finally heard this myself. The above description is utter crap. There's no Fruupp within 500 miles of this. This is a poorly recorded demo of a below average folk rock album with out of place basement hard rock attempts. The 9 minute 'Golden Age' is pretty decent as is the 5 minute 'Mad River' (the only two tracks that sound pretty good), but the rest is a total waste of time.

Masala Dosa ~ Denmark


Masala Dosa 77. 1977 Kong Pære

Like just about every 1970s Danish band, Masala Dosa maintain a rural rock foundation. The songs on Side 1 are pretty weak, but are saved by some very fine guitar solos. Side 2 is primarily instrumental and considerably the better half. Again, the guitar sections here are nothing short of phenomenal. In this way, Masala Dosa are more a throwback to the early 70s works by Culpeper's Orchard, Midnight Sun, and Day of Phoenix. Despite the Indian name, there's sparse reference to Indian culture save a little sitar. 

Priority: 3

9/20/10

Sunday, September 19, 2010

Ananga Ranga ~ Portugal


Regresso Às Origens. 1979 Metro-Som
Privado. 1980 Metro-Som

Jazz rock ensemble that reminds me some of Tantra, but perhaps more influenced by the bigger names of the day like Passport and Weather Report. First album has violin which definitely adds points. Privado begins to introduce funk, which probably wasn't the best idea. 

Priority: 3

***Both reissued by World Record on LP in 2024

9/19/10

Wednesday, September 15, 2010

Patrice Meyer ~ France


Racines Croisees. 1983 Music'Al
Dromadaire Viennois. 1986 FMR

Two solid instrumental albums from guitarist Patrice Meyer, who recruited some famous Canterbury names like Pip Pyle, Hugh Hopper, and Didier Malherbe (from Gong) to participate on the latter solo effort. Dromadaire Viennois has some Zeuhl bass and is the more interesting of the two albums. When Meyer plugs in, he can be quite kinetic. Both albums are rooted in jazz, and possess a tranquil side to offset the more energetic pieces. Not essential, but very good for the era, especially the latter album.

Priority: 3

9/15/10

Tuesday, September 14, 2010

News: Soleil Zeuhl to reissue Noa, second Strave albums



Back in early August, we found out that Soleil Zeuhl was to reissue the first Serge Bringolf Strave album. Thanks to a tip from Achim, owner Alain had also announced two other reissues (on the avant progressive yahoo group board) for his great Zeuhl influenced label: Noa and Strave's second album "Vision" (which I think is the best of his three albums). Both of these are slotted for early 2011.

We covered Noa here and Strave here.

Excellent news. Thanks Alain for the great work you do!

UMR review of Vision here

Noa ~ France ***REISSUED***


Noa. 1980 private

***Reissued by Soleil Zeuhl Mar 2011

UMR review

Priority: 3

1/31/10; 9/14/10 (complete)

Sunday, September 12, 2010

Might of Coincidence ~ Switzerland


The Birth of Might of Coincidence. 1971 Entropia

Might of Coincidence play a typical acid folk prog in the trippy German tradition similar to Emtidi’s Saat or especially Amon Duul’s Paradieswarts Duul. Tranced female / male vocals over tablas, wood flute, and electric / acoustic guitar. Most of the tracks sound similar, except the last one which is considerably more cosmic and experimental. A whole album of that I think would’ve resulted in a better experience. 

Priority: 3

9/12/10

Saturday, September 11, 2010

Subversion ~ France


Subversion. 1976 Pole

Certainly the most obscure album on the experimental Pole label. Featuring a crude black and white cover, it's exactly the sort of album you would expect to find on the FLVM label a few years later. This pre-Falstaff outfit mixed complex progressive rock in the Memoriance / Pulsar vein, along with jazz rock sections and some introspective folky moments. Not much cohesion, but they did well with each style they attempted. Very different from anything else on the label, except maybe Emergency Exit. And like that band, Subversion was also not repressed by Tapioca later in the decade, adding to its obscurity.

Priority: 3

***Reissued on LP by Replica (2021)

9/11/10

Friday, September 10, 2010

Sixty Nine ~ Germany


Circle of the Crayfish. 1973 Philips
Live! 1974 Philips

UMR review

Priority: 3

***Both albums reissued on LP by Long Hair (2018)

9/10/10

Thursday, September 9, 2010

Mars Everywhere ~ USA


Industrial Sabotage. 1980 Random Radar
Live & Unrehearsed. 1988 Galactus (MC)
Visitor Parking. 1989 Audiofile (MC)

Random Radar was the ancestor to the popular Cuneiform Records label. They had some interesting acts, but none were more intriguing than Mars Everywhere's Industrial Sabotage. The music here is a cross between, Canterbury (due to The Muffins influence), space rock, avant prog, and free rock. Gets a little loose and annoying in places, but when they catch a groove, the fireworks are undeniable. Some brilliant guitar work, and it's just this space rock element that becomes the album's ace in the hole. 

I have not heard the cassettes to date.

Priority: 3

9/9/10

Wednesday, September 8, 2010

Booth Davis and Lowe ~ USA


Prototype. 1978 Titicaca

Booth, Davis and Lowe are from Arizona, but sound like they're from the great Midwest (Albatross, Ethos, Surprise, etc...). Classic Yes is the obvious starting point, but like many bands of their era, BD&L made a concentrated effort for radio airplay, mixing in some tame but charming AOR songs. A mixed bag, but very much a product of the American underground.

Priority: 3

9/8/10

Tuesday, September 7, 2010

Alpha Omega ~ Australia


Alpha Omega. 1976 Clear Light of Jupiter

Steven Maxwell, most known for his group Cybotron, also plays synthesizers for this most interesting fusion group. Perhaps Cybotron's Colossus is a good reference, mixing in saxophone lead rock with electronic sequences. Alpha Omega is more rooted in jazz, however, which includes some free blow sax and shredding guitar solos. It's an odd combination. Passport's Infiniti Machine is also similar to this, though for certain more tame. 

Priority: 3

9/7/10

Monday, September 6, 2010

Arc ~ France


Maquette. 1980 Le Kiosque d'Orphee / Game

Maquette is an earnest attempt to recreate the Ange / Mona Lisa style of dramatic French language progressive rock. Similar to other such efforts like Elohim's Le Mana Perdu (1983), Trefle (1979), or Elixir's Sabbat (1987). It's a distinctly French form of rock, and for what it is, it's pretty good. Don't expect Ange though.

Priority: 3

9/6/10

Saturday, September 4, 2010

Miklagard ~ Sweden


Miklagard. 1979 Edge

Miklagard's sole album is bread and butter keyboard trio prog rock, with nice leads (some fat analog, some thin cheesy), and the always pleasant sound of Swedish vocals. 

Priority: 3

9/4/10

Friday, September 3, 2010

Sunday ~ England


Sunday. 1972 Bellaphon

Sunday's sole album is a mix of organ rock, hard rock, and progressive. Another UK band whose only release was in Germany (like Diabolus, Odin). Good record and an even better album cover.

Priority: 3

9/3/10

Thursday, September 2, 2010

Sicher ~ Switzerland


Sicher. 1981 private

There was a major boom in private progressive albums from Switzerland in the late 70s and early 80s. Not sure why that's the case, but here's another one worth your consideration. Featuring two flute players, and possessing a strong affinity for classical music, Sicher put out a better than average progressive album when compared to many of their peers. Some semblance to Eloiteron. 

Priority: 3

9/2/10

Wednesday, September 1, 2010

Puzzle ~ France


Puzzle. 1983 private

A well executed psychedelic guitar driven album, released at a time when very little of this style was available on the market. Perhaps only Cincinnati's Ra Can Row could be called out during this era. There are some really sizzling guitar freakouts here. And actually a few well-thought out melodies, which is not something inherent within the genre. But Puzzle has one fatal flaw. And it's the only thing keeping me raving about it: The dreaded drum machine. Had they employed a real drummer, I would enthuse more about it. Naturally enough, the keyboards are all 1980's era synthesizers too, though the guitar fortunately remains the focus. A fine album overall.

Priority: 3

9/1/10

McLuhan ~ USA ***REISSUED***

Anomaly. 1972 Brunswick ***Reissued by Think Like a Key, Jun 2025 UMR review and band history Priority: 1 5/24/09 (new entry); 6/25/25 (com...